Devotion by Molly Remer

There are things that ask
50237778_2257311164481093_3090053013251817472_oto be remembered
or, is it that I ask to remember?
The everyday enchantments
of our living
words forming slices of
memory.
A white squirrel watching
from a sycamore tree
the sounds of black
crows calling
from within the secret
passages
between oak tree
and neighborhood
footprints of a shy orange
coastal fox in the sand.
Rays of sunlight
forming individual white rainbows
stretching from cloud
to water.
I no longer feel like I have anything
to teach
I just want to tell you about the
shell I found today
the sandy pink color
of its wave-shaped spiral
the way the pine needles
form a canopy under
which orange monarchs dance
the surprising softness and bright
green hue of thin fingers of grass
the pretty purple pollen cones
of a longleaf pine.
The colors of a morning woven
into a tapestry of devotion.
That is the word for this feeling
in my chest.
Devotion
to noticing.

Devotion is not a word that I have previously felt particularly inspired by or connected to. Perhaps it is too heavy, too responsible, or even “too religious”—carrying connotations of dogma or roteness. However, in the last month or so, something has opened up for me to consider the word, and the process, in a different way. Continue reading “Devotion by Molly Remer”

I Shall Make Prayer of It by Natalie Weaver


This is a poem I published almost ten years ago. It is as if I wrote it yesterday.  The image is more or less of the same sentiment as the poem.

I publish these again here in memory of my father.

 

~~~~

I am always cleaning
though not fast enough
to really organize
what I cannot put away.
It is messy in closets
that cover the appearance of order.
I am still sitting on wool carpet watching

The dusts dance in little beams of hope.
The same ones that lighted by wonder
in warmth and youth a beauty made
of windows and particles.
Probably the same ones that caused dirt and flu.
But what matter is it in the world that is merely
the simultaneity of being in which at once
the limos and the hearses depart for the church. Continue reading “I Shall Make Prayer of It by Natalie Weaver”

Ancient Dreamer by Elizabeth Cunningham

Raised view fallen autumn leaves deciduous trees

The poems below are excerpted from my new (I hope forthcoming) collection, Tell Me the Story Again. Ancient dreamer’s voice is one among many voices including sorrow singer, temple sweeper, sword woman, morose fool, merry drunk, grey cat and mouse, stone mountain, skeleton woman, mother rain and many more. The voices speak from a time perhaps just after (or long before) our time, in a real and magical world.

I chose to excerpt ancient dreamer’s poems because winter is the time, in Celtic lore, of the Cailleach, the old one, the divine hag.  When I began writing the poems in 2014, my mother-in-law, then age 101, was in the last stages of her life. She slept and dreamed most of the time, and I would sit and daydream with her. She died two months before her 102nd birthday. When I took up the collection again in 2018 to complete it, ancient dreamer remained a strong presence and has the last word.  

Continue reading “Ancient Dreamer by Elizabeth Cunningham”

When “The Storm Left No Flowers” – A Review by Sara Wright

During the last year I have been struggling with the  catastrophic effects of Climate Change like never before as I witness the continuation of a drought that is withering plants, starving tree roots, shriveling our wildflowers and wild grasses, leaving our mountains barren of snow, and changing the face of the high desert for the foreseeable future. With forest fires leaving me literally breathless from plumes of thick smoke that turn the sun into a ball of orange flames at dawn, unable to cope with 100 plus degree heat, my body forces me to surrender: I will not be able to make my permanent home here. Instead I will migrate like the birds do – from south to north and back again.

Coming to terms with the ravages of Climate Change  brought me to my knees; it has been one of the most difficult adjustments I have ever had to make. I mourn the death of the trees, plants, the loss of precious frogs and toads, insects, birds, lizards – every plant and creature is under attack and few of us can thrive (let alone survive) in such an unforgiving climate. Continue reading “When “The Storm Left No Flowers” – A Review by Sara Wright”

A Review of Decembers Past before We Move into the New Year by Marie Cartier

Last month I looked back over six years of postings I have done for FAR. In November,  I noticed that I usually during that month tend to review the year and find something to be grateful for.

I decided this month to follow that up by looking back at the posts I have done for the past six years at this time of year, right before the wheel turns into the New Year. I have the privilege of writing for FAR usually right after Thanksgiving and right after Christmas and before New Year’s. I tend to think of this time as a time of looking forward, and Thanksgiving as a time of looking back.

Continue reading “A Review of Decembers Past before We Move into the New Year by Marie Cartier”

Crow and The Pornographic Gaze by Sara Wright

Once she believed that
it was her fault
they came on to her,
that she owed them
something
They owned her?
Secretly the
girl was pleased
because any kind of attention
was better than none,
or being so “different” –
stitched into an Indian skin.

She was a pretty shell,
an abandoned spiral
worn down by waves –
assaulted from within
by the pornographic gaze.
How she hated being young. Continue reading “Crow and The Pornographic Gaze by Sara Wright”

You Can Make Your Own Rose BOOK REVIEW by Lila Moore

You Can Make Your Own Rose by Andrea Nicki is a collection of poems infused with the spirit of feminist sensibility, social justice and activism. The poems offer more than mere therapeutic comfort while depicting shamanic-inspired healing rituals and magical encounters. They are trauma-free in the sense that Nicki doesn’t ask for our sympathy nor does Nicki simply wish to share traumatic memories. On the contrary, she utilizes somewhat analytical and educational language, interlaced with subtle picturesque and lyrical details alongside a severe social critique, to depict the emotional, intellectual, and social landscape of her reflections on incest and other gender-related forms of abuse.

Continue reading “You Can Make Your Own Rose BOOK REVIEW by Lila Moore”

Poem: #MeToo, We Re-Member by Marie Cartier

I need the grandmothers to help me

re-member my rage.

Cross stitch. Double knot.  I sew it back on. The raggedy parts I let fly loose

when I thought it was OK to not be “so angry.”

“Boys will be boys.”

And so then, girls will be angry.

And we will re-member—our rage.

I need the great aunts, and all the old women with the signs that read,

“We are still protesting this shit.”

I need them, this herstory to help me

re-member my rage, feel it strong and tight. Cross stitch. Double knot. Those women re-member

me. I am that woman. She is me.

Our rage is a song.

After all this time, we are still singing it. Our rage

is a river and we swim in it, even if it’s upstream. There is a fierce mermaid goddess,

Yemaya. She protects us. She knows

our rage is our best defense.

Our rage is a

swarm of bees. Not yet extinct. Our rage

is holy. Terror. Continue reading “Poem: #MeToo, We Re-Member by Marie Cartier”

Singing up the Dawn, a poem by Sara Wright

My walk to the river
is a joyful entrance
into the eternal Now.
The water flowing,
  crushed fresh mint,
trilling bird song
desert air so sweet
  my body vibrates
drumming with all that is…

Returning under
the bowing cottonwoods
I touch a heart shaped leaf
in reverence…
For Life. Continue reading “Singing up the Dawn, a poem by Sara Wright”

Death and Re-birth through a Project by Elisabeth Schilling

Art by Magdalena_Korzeniewska

For about a year and a half, I have been working on a collection of poetry that I feel is worth something. I have been writing poetry since I scribed pages hidden between my math textbook when I was 9, gone through poetry workshops in graduate school where I produced a creative thesis, and continued to write off-and-on after that. I have an extensive cornucopia of poetry, but it was around last October of 2016, perhaps, that I decided to write my experience.

As a pre-teen, I wrote about what I thought my life could be, fantasizing about being an older woman with mottled relationships, missing opportunities to discuss my fragile relationship with my parents as the only-child-golden-child, my passion and doubts as a religious, my shame at not being more experienced. Even when I was in graduate school for poetry in Ohio, I didn’t think my life was worth excavating. I wrote dreamy, dense poetry that was surreal and symbolic but largely incoherent. I could again have written about my evolving religious beliefs, my curiosities and risks I took living outside of my home state of Oklahoma as a young woman for the first time, my declining relationship with my mother, or my insecurities again, but this time as a lesser-prepared graduate student in comparison with my literary and theory-laden colleagues.

On one hand, some might say the culture I come from is narcissistic and navel-gazing. I would agree, but just like I feel women can sometimes be selfish in a quite necessary and liberating way (as opposed to those around her accusingly saying she is “so selfish” for abandoning them/following her own path/needing a room of her own), I feel the confessional and self-reflective can be the healing and helpful side of the coin. For me, at least in my experience, my “finished” collection feels exactly this way.

Continue reading “Death and Re-birth through a Project by Elisabeth Schilling”