Let’s Talk about Frozen 2 by Anjeanette LeBoeuf

AnjeanetteWhile facetiming my brother, I heard my two-year-old niece shout at the top of her lungs that she was “Queen Elsa” and was coming to save me. I had started writing about the Frozen films, when Sara posted on them. So let us continue on this Frozen journey.

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Beth March and the Courage of the Gentle Giver by Cathleen F

As someone who spent my prepubescent years watching director Gillian Armstrong’s “Little Women”, I was eager to see Greta Gerwig’s newly released version. Previously unexplored contours of each character, and of my changed perceptions, were made visible through this iteration. The most difficult and touching part of the film that lingers with me is the story of Beth, pianist and caretaker. Beth’s untimely death brings grief into the center of the March family narrative, and Gerwig’s portrayal brought up grief in me about my experiences with invisibility as a paced introvert in a culture that celebrates speed and extroversion.

I grew up wanting to be like Jo March, the outspoken, reactive protagonist. Jo was the rebel, the obvious feminist, and, mostly importantly to me, the brave one. Beth seemed to me to be boring, relegated to a life at home, bound by illness and a preoccupation with the needs of neighbors. Her steadiness looked to me like obedience; she could not fight away the disease that eventually killed her, and I wished to be everything besides her, the introvert who observed and cared and loved music and then died. As I grew into my own introverted, observant, caregiving tendencies, I began to wonder if I had been tricked by my culture, by my upbringing, to think I was Beth when I was really Jo! While social pressures certainly influenced my personality, as they do for us all, I didn’t want to believe that perhaps I was growing into my natural temperament, endowed by the Universe, expressed in my mind and body. As a woman in the 21st century, as a feminist, I was supposed to be like Jo, not the way I was (am). To have a deliberate or tender nature was, in my subconscious perception, to betray the spontaneous, assertive natures of those more worthwhile feminists who got things done. Continue reading “Beth March and the Courage of the Gentle Giver by Cathleen F”

Staying Un-Frozen by Sara Frykenberg

It is February 14th, Valentines Day. So, today I want to explore my daughter’s love affair with Frozen; a story that I did not like, but that I learned to love by watching it through her eyes. A story which through her eyes, has taught me a lot about how to stay and be un-frozen.

I did not understand the phenomenon that was Disney’s Frozen in 2013. I did not like film’s premier song Let it Go, which you could hear e-v-e-r-y-w-h-e-r-e. The film wasn’t even about Elsa; the queen with magical powers who sings this song while reveling in the new-found freedom of her isolation. It’s about Elsa’s sister, Anna, and her quest to find Elsa. So really, I thought, the song was misleading. I also didn’t like the ‘loveable Olaf;’ and while switching up the “true love’s kiss” narrative was a positive change for Disney (Anna saves herself and Elsa with her love, instead of that of a man), I just didn’t get the widespread appeal. Continue reading “Staying Un-Frozen by Sara Frykenberg”

I Hope “This Changes Everything” by Elise M. Edwards

elise-edwardsLast week, I attended a film festival in Waco, Texas that showed the 2019 documentary This Changes Everything. Spending Friday evening at a film festival seemed like an enjoyable and appropriate way to kick off a weekend that would culminate with the Academy Awards (the Oscars).  I had no idea that this film would inform the way I viewed the movie industry and its most celebrated awards show.  It did change everything for me.

This Changes Everything is about the representation of women in film, particularly their underrepresentation and misrepresentation on screen and in the film- and television-making process.  It is not the first time this theme has been explored in a documentary. What struck me at this viewing, though, was the way the film portrayed patterns that resonated with my experiences in academia and in religious communities.  There are parallels between the way sexism manifests in entertainment and  I, along with other members in the (predominantly female) audience, couldn’t help but see parallels in Hollywood’s patterns of exclusion and the discriminatory conditions we confront in numerous other industries and professions.  What were these patterns?

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The Boots on the Ground People of Queer Eye: Part 3 by Anjeanette LeBoeuf

AnjeanetteThis month is the trilogy to my Queer Eye series. The last two posts talked about the significance of the current reboot Netflix series and the Fab Five. This post will highlight some of the people who were made over. What has also been truly fascinating to see is how much the “heroes” have used their experiences on Queer Eye to ‘pay it forward’ and become their own Fab Fives for others.

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Metamorphosis and a Press Conference: A Kafkaesque and Shakespearean Fantasy about an Unreal Individual by Barbara Ardinger

Donald wakes up too early. Feeling confused and disoriented, he looks around the room. His bed has disappeared! He seems to be lying on the floor. Why? he asks himself, how’d I fall off my king-size bed? The floor (uncarpeted??) seems to go on around him forever, sans furniture, sans TVs, sans his solid gold toilet, sans even the doors and windows. It’s all a great big blank. All around him. Where am I? he asks himself.

He had disturbing dreams all night, and not just last night, but for…well, awhile. Since the subpoenas. He keeps seeing big, strong, silent men wearing jackets with initials on the back carrying big boxes out of his various offices. All of them. All over the world. In one repeating dream, a man dropped a box. It fell open, scattering papers filled with names and numbers. The men picked everything up, put the papers back in chronological order, and resealed the box. They kept carrying the boxes out to black vans that didn’t have names painted on them.

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The Important Work of Netflix’s Queer Eye: Part 2 by Anjeanette LeBoeuf

AnjeanetteLast month’s FAR post detailed the blockbuster hit show Queer Eye. The Fab Five – Karamo, Tan, Bobby, Jonathan, and Antoni, not only inspire the people they are making over, but are using their growing fan base to become true agents of change.

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The Explosion of the TV Show Queer Eye: Part One By Anjeanette LeBoeuf

AnjeanetteIn 2019, when mentioning Queer Eye, Queer Theory isn’t on the table, but the Global Netflix hit show is. Responses will range from how each episode gets the viewer to cry, the love of avocado, the French Tuck, and how much this new show means for representation, visibility, and the ardent need for these types of conversations to take place on television screens and homes globally.

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We Won’t Go Back by John Erickson

Bottom line: abortion is healthcare. Nearly a fourth of women in America will have an abortion by age 45. Every day, people across the United States make deeply personal decisions about their pregnancies. Those decisions deserve respect.

Someone once asked me: John, why are you a feminist?  It is always a jarring question because I believe all people should be feminists and we should all fight for gender equality no matter what.  I’ve been drawn to Martin Niemöller’s prolific quote:

First they came for the socialists, and I did not speak out—because I was not a socialist.
Then they came for the trade unionists, and I did not speak out— because I was not a trade unionist.
Then they came for the Jews, and I did not speak out—because I was not a Jew.
Then they came for me—and there was no one left to speak for me.

Right now, it seems like a full on frontal assault against all of us.  No matter what community you’re in, you can draw back to an instance of discrimination you’ve faced both pre-2016 as well as after the election of President Trump. Continue reading “We Won’t Go Back by John Erickson”

Game of Thrones is Over, Now What? By Anjeanette LeBoeuf

This post contains spoilers on the Game of Thrones series

 

AnjeanetteFor many, this past week saw the MASSIVE HBO hit, Game of Thrones, air its last episode. Thousands were left unsatisfied with the ending and even the entire last season. There was an online petition signed by over 1 million people demanding a season rewrite/reshoot. I have seen on countless social media accounts the amount of people seemingly bereft now that the show is over. I have also seen other shows and tv channels banking on people searching for a new show to immerse themselves in. So why, Game of Thrones? And what will replace it now that it is over?

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