Sappho’s Prescription For A Healthy Heart & the Taoist/Buddhist Concept of Forget (忘)

Stuart WordPress photoA two line fragment of Sappho’s poetry (S.120) reads:

But I am not one to keep venting my anger:
Rather I let some things in my heart go unspoken

Sappho’s word choices here make this as difficult as any of her fragments to appreciate in translation.  Yet, not only do those choices make attribution of this fragment to Sappho secure, they also manifest her importance in an area for which she rarely receives attention: early Greek medical thinking.  One reason her importance in that regard is largely unnoticed is that Western medicine in general has abandoned its own tradition, retaining only the nomenclature and some of the symbolism of early Greek medicine. Continue reading “Sappho’s Prescription For A Healthy Heart & the Taoist/Buddhist Concept of Forget (忘)”

Buddhas In Snowflakes, Enlightenment In A Bathtub

Stuart WordPress photoThis year’s Tibet House Benefit Concert coincided with a snowstorm in Manhattan and though snow is not uncommon in Manhattan (especially this past season), it is particularly associated with Tibet and its high, perennially snow covered peaks.  The timing of the snowstorm was thus peculiarly appropriate, leading Robert Thurman, US President of the Tibet House, to muse in his opening remarks about there being Buddhas in the snowflakes.

I was lucky enough to attend that concert thanks to my wife and some of her colleagues being invited by Thurman to attend in appreciation for work they had done on a book consisting of a collection of speeches by the Dalai Lama, My Appeal to the World.  Snow had been a topic of conversation at the dinner we had before the concert not just because of the coincidence of the snowstorm and concert, but also because one person in our group had recently broken her wrist slipping on what was left from an earlier snowstorm.  She was lamenting being sidelined from her yoga practice, at which point I brought up the topic of the therapeutic benefits of bathing.  As is typical of dinner conversations, that quickly morphed into a discussion of other issues; soon it was time for the concert and off we went.

Several weeks later, while taking a bath after my own yoga practice, as I often do, it occurred to me that being in a bathtub was analogous to being in a snowflake–a very large and warmed up snowflake.  The basis for the analogy is that ‘buddha’ is not a name but commonly interpreted to be the past participle of a verb, the primary meaning of which is to awaken.  The roots of Indo-European (IE) verbs only refer to bare existence or an action and as such can ‘belong’ to any noun (person, place or thing) of any gender (female, male or neuter).  Any person of any gender can be ‘awake.’  As a participle ‘buddha’ is a hybrid–part verb and part noun–and thus specifies gender (masculine), but that is an artifact of grammar, a way of speaking, that manifests its interdependence with other elements of language and how that language is used at any particular point in time.

There are a number of fascinating implications in analyzing language in this way (what used to be called ‘speculative grammar’ in Medieval times), but the single most important is that by itself language is not particularly enlightening, but rather quite dependent upon the context in which it is used.  It helps explain why the tradition of rejecting textual authority in favor of direct enlightenment, the ‘moment of zen,’ became particularly prominent in Chinese, Korean and Japanese Buddhism.  The grammatical differences between Sanskrit and Chinese are relatively substantial compared, for example, to those between any one IE language and another IE language.  Grappling with translating and interpreting first Sanskrit and then Chinese and then Korean or Japanese, seems to have heightened the sensitivity to the limitations of language, especially with respect to spiritual beliefs and practices.

This aspect of Buddhism can be readily demonstrated to share roots in an equally ancient tradition of Greek poetic culture.  It seems, however, that the guardians of the text based religious traditions emanating primarily from regions controlled directly or indirectly, at one time or another, by Roman emperors, are more than happy to let that aspect of the Western heritage go unnoticed.  Instead these guardians seem to emulate the command and control tactics of Roman emperors with what can be fairly characterized as intellectual imperialism.

Because of its importance to all such traditions, Song of Songs (Songs) is a useful example to cite.  Only by walling off a substantial amount of evidence is it possible to prevent Songs from being seen to be in part or whole a product of female spirituality that celebrates sexuality in a manner a Buddhist would identify as tantric.  Proof that is exactly what the guardians of the text based religious traditions have been doing is not hard to find, for the fact that few women have authoritative positions within any organization associated with such traditions is an artifact of just such a wall.

Such tactics ironically expose the vulnerability of these traditions to decline and fall.  One way that might happen can be discerned in what happened to Buddhism as it spread east.  It was creatively interpreted in harmony with a far more ancient tradition of nature worship associated with early Taoism, a tradition that privileges individual artistic expression, such as poetry, over textual study or ritualized recitation.  That tradition is comparable to the Western philosophy of nature evidenced, for example, in the poetry of the ancient mystic Greek of Sicily, Empedocles.

Though I have referred to this philosophy in previous posts, I hope to discuss it in more detail in upcoming ones as it relates both to ancient traditions such as Taoism and Buddhism as well as to how spirituality might evolve in the future.  Suffice it for now to say that what is essential is appreciating that experience itself is the ultimate, authoritative a priori of all spirituality.  That can mean doing yoga, meditating upon snowflakes or sloshing about in a tub of water.

Eventually, though, it leads within, to what the poet Holderlin calls ‘Innigkeit,’ a state of inwardness that is itself speechless, but which is the source of poetic/artistic inspiration.  That is in an essay on Empedocles, but given what was then known about him, Holderlin was largely projecting onto Empedocles his own beliefs (shared with his friend Schelling) about nature, with “all her melodies,” as the ultimate source of inspiration.  Decades after that essay was written, Schelling used Innigkeit in a lecture on mythology to translate a key term from the Bhagavad Gita: yoga, a term that as used there many scholars today think betrays Buddhist influence.  Several other translations were then available and it seems likely Schelling’s unprecedented choice of Innigkeit was an homage to Holderlin.

As it happens, substantial new fragments of Empedocles’s poetry were discovered in the 1990s.  In 2004, after piecing together those fragments with many of the other previously discovered ones, Richard Janko suggested Empedocles should be thought of as the Greek equivalent of Buddha.  Be that as it may, there is no question who Empedocles would say is in snowflakes: Aphrodite.

Stuart Dean has a B.A. (Tulane, 1976) and J.D. (Cornell, 1995) and is currently an independent researcher and writer living in New York City.  Previously he worked in a variety of other capacities, including 15 years as a corporate attorney.

Give Me That “New” Time Religion! by Susan Gifford

Susan GiffordI want a new religion. I have changed to the point that I cannot be a part of a patriarchal religion and I feel that all of the major organized religions fall into that category. It has taken me a long time, but I can now see that these organized religions were created largely to support the patriarchal culture that most humans have lived in for at least the past 5,000 years.

I started reading Mary Daly, Riane Eisler, Merlin Stone, Carol Christ, Marija Gimbutus and other similar authors in recent years. I was amazed at how much I did not know about life before patriarchy. I was never taught in school that there were cultures – civilized cultures – for tens of thousands of years prior to patriarchy. These pre-historical civilizations were largely matrilineal although not matriarchal.

Women had power in such cultures, but not “power over” others. These cultures were organized as partnership societies, not hierarchical societies. The Divine Presence worshiped was feminine which, of course, makes perfect sense since the female sex is the one that gives birth. As far as I can tell, there is little known about the specific religious beliefs and rituals of these civilizations. However, from the art work that has been discovered, there appears to be a theme of a Great Mother Goddess who gave birth to the world and all that is in it. Although we can’t go backwards to this ancient goddess religion, knowing more about it may open our eyes to other ways of conceiving a Divine Presence. Continue reading “Give Me That “New” Time Religion! by Susan Gifford”

Credhe, Celtic Goddess of Love and Spirit Contact by Judith Shaw

judith Shaw photoCredhe, also known as Creide or Cred is an Irish Faery Queen Goddess of Love and Spirit Contact. She is associated with Danu’s mountains, the Paps of Anu.  These are two gently rounded high hills that were adorned by the ancients with earthen and rock mounds and cairns positioned on top to represent erect nipples.  Her Sidhe was most likely located near the Paps of Anu.  She is also associated with crystals, the color pink and rose oil.

Continue reading “Credhe, Celtic Goddess of Love and Spirit Contact by Judith Shaw”

The Goddess of Willendorf and Does My Uterus Make Me Look Fat? by Molly

editMollyNov 083

 “Loving, knowing, and respecting our bodies is a powerful and invincible act of rebellion in this society.”
~ Inga Muscio

I do not remember the first time I ever saw her, but I do know that I have loved the Goddess of Willendorf sculpture for many years. When someone uses the phrase, “Great Goddess” or “Great Mother,” she’s the figure I see. To me, she honors the female form. I love her full-figure and the fact that she is not “perfect” or beautiful. I love that she is not pregnant* and what I like best is that she is complete unto herself. She is a complete form, not just a headless pregnant belly. She represents a deep, ancient power to me.

In a past post for FAR, I wrote:

I have a strong emotional connection to ancient Paleolithic and Neolithic goddess sculptures. I do not find that I feel as personally connected to later goddess imagery, but very ancient figures call to something deep and powerful within me. I have a sculpture of the Goddess of Willendorf at a central point on my altar. Sometimes I hold her and wonder and muse about who carved the original. I almost feel a thread that reaches out and continues to connect us to that nearly lost past—all the culture and society and how very much we don’t know about early human history. There is such a solid power to these early figures and to me they speak of the numinous, non-personified, Great Goddess weaving her way throughout time and space.

via Echoes of Mesopotamia by Molly Meade |.

Continue reading “The Goddess of Willendorf and Does My Uterus Make Me Look Fat? by Molly”

Caer Ibormeith, Celtic Goddess of Dreams and Prophecy by Judith Shaw

judith Shaw photoCaer Ibormeith, Celtic Goddess of Dreams and Prophecy, is a pan-Celtic goddess who was worshipped in Ireland, Scotland and Wales.  In Scotland and Wales Her name was used to name places such as Caer Edin (Edinburgh). In Ireland Her name identified the homes of Goddesses and Gods, such as Caer Arianrhod, home to the Goddess Arianrhod. Continue reading “Caer Ibormeith, Celtic Goddess of Dreams and Prophecy by Judith Shaw”

Morrigan, Celtic Goddess of Sovereignty, War and Fertility by Judith Shaw

judith Shaw photoMorrigan, Celtic Goddess of War and Death, is a dark goddess we mortals tend to approach with fear and trepidation. A great Warrior Goddess, She represents the more terrifiying aspects of female energy; sensuality, magic, prophecy, revenge, and war. She could either shapeshift into a crow or raven or be accompanied by them.  In the Ulster cycle stories she also appears as a cow, a wolf and an eel.  This indicates Her connection to prosperity, sovereignty and the land.  Encompassing all essential divine functions, She is the Goddess of War, Sovereignty, Fertility and the Land.

Continue reading “Morrigan, Celtic Goddess of Sovereignty, War and Fertility by Judith Shaw”

An Advent Journey by Victoria Rue

Victoria RueI decided to take the fall semester off from teaching.  I wanted to volunteer my abilities somewhere in the world.  With guidance from a friend and Volunteers in Global Service, I exchanged emails with Visthar: an Academy for Justice and Peace in Bengaluru, South India.  “Visthar” means open space.  What I discovered right away was that the work of Visthar dovetailed with my own: gender, sexuality, religion, education and theatre.

Visthar presents workshops on the intersection of gender, sexuality and religion to lgbtq activists, social workers, students, women pastors and inter-faith leaders. Within the trainings, Visthar asked me to offer a theatre workshop that allowed participants to creatively embody and strategize these issues.   Continue reading “An Advent Journey by Victoria Rue”

An Archaic Trinity of Goddesses? Not Necessarily. by Barbara Ardinger

Barbara ArdingerIn her comment following my last post which was about mythology, my friend, Carol Christ, expands on my paragraph about how the so-called “ancient triple goddess” was really invented in 1948 by Robert Graves in his book, The White Goddess. (Thanks, Carol.)

Back in the 1970s and 1980s, when the Goddess movement was just getting up on its feet and our ovular books were being published, the idea arose that if “they” have a holy trinity, “we” have one, too. And ours is older and holier. We see it in the three phases of the moon, new (Virgin), full (Mother), and dark (Crone). Here’s a tiny sample of these books that changed the lives of so many women and men:

  • Woman’s Mysteries Ancient and Modern by M. Esther Harding (1971, but first published in 1933)
  • The Goddesses and Gods of Old Europe (1974) by Marija Gimbutas
  • When God Was a Woman (1976) by Merlin Stone
  • Lost Goddesses of Early Greece: A Collection of Pre-Hellenic Myths (1978) by Charlene Spretnak
  • The first edition of The Spiral Dance (1979) by Starhawk
  • The Chalice and the Blade (1987) by Riane Eisler
  • Laughter of Aphrodite (1987) by Carol P. Christ
  • The Holy Book of Women’s Mysteries (1989) by Z. Budapest
  • The Reflowering of the Goddess (1990) by Gloria Feman Orenstein
  • Whence the Goddesses: A Source Book (1990) by Miriam Robbins Dexter

Triple goddess? ’Tain’t so. Our beloved triple goddess is one of our foundational myths. It’s nice and it’s perhaps inspiring, but it’s only a myth. Anyone who looks at a calendar or almanac—or up into the sky every night for a month—can easily see that the moon doesn’t have three phases. It has four: waxing, full, waning, and dark. And since the late 20th century, women have lived long enough to go through more than three stages of life. Continue reading “An Archaic Trinity of Goddesses? Not Necessarily. by Barbara Ardinger”

Journey into Light by Mary Sharratt

mary sharrattDecember 7 marks the Second Sunday of Advent.

Here in Northern England, I find myself plunged into the depths of midwinter darkness. It is in this dark womb of stillness that the Light is reborn. Through the ages and across cultures, world faith traditions have marked this sacred passage through the darkness.

In Christian tradition, Advent is a period of expectant waiting, of anticipating the birth of Christ. The word Advent comes from the Latin adventus, which means “coming.” This First Sunday of Advent marks the beginning of the Western Christian liturgical year.


hildegard's house of light erickson_house_72dpi

 Image: “Hildegard’s House of Light,” painting by Elizabeth Erickson

The Advent wreath and Advent calendar are relatively recent innovations. Christmas and Advent celebrations have gone through many permutations throughout history. Continue reading “Journey into Light by Mary Sharratt”