Warning: contains images of rape portrayed through the lens of the objectifying pornographic male gaze
When I reflected on the discovery of a rape fresco from ancient Pompeii that depicted Leda and the swan, I did not mention that the image of the rape of Leda by Zeus along with related images of Zeus raping Europa as a bull and raping Danae as a shower of gold are favorite themes in the history of western art up to the present day. Myths of rape not only give artists permission to paint or sculpt naked women but also to normalize rape as an aspect of culture. In the imagination of western artists, noble or immortal women are portrayed as passively accepting and even enjoying being raped. The fact that these women are understood to be icons of female beauty delivers the message that female beauty invites rape.
I am beginning to understand my university education as brain-washing. I was 17 years old and in my first semester of college when I was shown images of Zeus raping women on a large screen in a darkened auditorium while being told that I should pay attention to perspective, brush-work, and detail. I understood that in learning to appreciate great works of art I would be considered intelligent and sensitive by other intelligent and sensitive people whose ranks I hoped to join. I learned what I was being taught. I was not told was that my “education” was grooming me to accept rape as part of high culture and as beautiful. Continue reading “This Is What Rape Culture Looks Like in “Great” Art by Carol P. Christ”

Parshah Vayigash covers Genesis 44:18 to 47:27. It involves the reunification of Joseph with his brothers and his father, the immigration of Jacob’s entire family to Egypt and Joseph successfully leading Egypt through famine. In other words, the parshah provides the backdrop for how the Israelites become slaves in Egypt.
Disclaimer/Trigger Warning: This post includes content about rape, sexual assault, domestic abuse, graphic sexual.
When Emmy handed me the pot I held it gently in my palm, marveling over its rounded shape, the warm earth tones, the sparkling mica speckled through the smooth clay. 
“I am sorry!” “I am guilty of sex abuse” “I have hurt many young children!” “I have ruined lives!” “We are sorry for hiding sex abuse in the Church!” “We are criminals!” “We want to make amends!” We, in the pews, have yet to hear true contrition, instead we hear how the Church needs healing. True, but where is remorse from those who perpetrated and covered-up the crimes? To heal, we must hear from them.
I was not paying full attention when I heard a news report on CNN saying that archaeologists had uncovered an “ancient erotic fresco” in Pompeii. Hmm, I thought to myself, this story deserves further investigation.
Disclaimer/Trigger Warning: This post contains details about unwanted sexual advances.
to help. If the people involved are mindful and truly grateful for community and shared work and resources, it can be a sacred return to a way of life where people can practice sharing, non-greed, and carrying each other’s burdens. We practice living with strangers, with all the challenges that presents, instead of isolating ourselves in presumed comfort.