The Religiosity of Silence by John Erickson

In a repetitive culture of abuse and silence, is it really shocking to find out that an individual who preached such hate and discontent for others actually perpetuated other forms of heinous abuse against others?

John Erickson, sports, coming out.In 2013, I wrote an article about the then latest reality TV scandal featuring A&E’s Duck Dynasty’s Phil Robertson and his rampant foot-in-mouth disease that caused him to express, in the pages of GQ, his true distaste for the LGBT community and specifically for the sexual proclivities of gay men.

Now, two years later in another reality TV show, TLC’s ’19 Kids and Counting’, it isn’t star Josh Duggar’s anti-LGBT statements getting him into trouble but rather his sexual assault and molestation of 5 girls, including two of his sisters. However, while the Internet explodes with attacks against Josh Duggar and his Quiverfull background, it is vital to remember that the silence that he and his family inflicted upon his victims since 2006 has not only been ongoing since then but is also being reemphasized today with each keystroke focusing on the assailant rather than the victims. Continue reading “The Religiosity of Silence by John Erickson”

The Grimm Brothers’ “The White Snake”: A Feminist’s “Adam & Eve”? by Jeri Studebaker

Me, 2013I was trying not to fidget as I sat on the hard, unforgiving walnut pew.  It was a gorgeous summer day out, and I was locked inside breathing stale air and with nothing to look at but the dreary speaker, and, behind him, a life-sized, picture of a sweet-looking man about to be hung from nails driven through his hands.  I was visiting my parents, who love to take me to church, and I just wasn’t able to say no.

As I sat I daydreamed about our indigenous European ancestors.  They did “church” outdoors, in fragrant, airy forests with wild bluebells, warbling birds, and gentle breezes caressing their skin, ears and eyes.  Instead of doing hard time on walnut benches, they got to dance, chant, hold hands and jump through fires.

Continue reading “The Grimm Brothers’ “The White Snake”: A Feminist’s “Adam & Eve”? by Jeri Studebaker”

Liberation Lessons for Pesach by Ivy Helman

Each year we read the story of our exodus from Egypt during the Pesach seder. The story is one of human liberation from oppression. Yet, most of the imagery we encounter, the drama of the story so to speak, involves nature: a river that saves a baby, a burning bush, the plagues, the re(e)d sea, the wilderness, lack of food and water and the promised land itself. What does this mean?

In general, it means that human liberation is intimately connected to the liberation of all of creation.  In particular, the exodus story can teach us many lessons about environmental justice.  I’m going to explore five of them here: do not manipulate nature, use water wisely, form a connection to the land, imagine G-d differently and treat humans, animals and the land well.

Continue reading “Liberation Lessons for Pesach by Ivy Helman”

Painting Women from Judges – Part 3: The Sacred Account of the Levite’s Pîlegeš by Melinda Bielas

Melinda BielasReading the story of the Levite’s pîlegeš – found in the Hebrew Bible, Judges 19:1-20:7 – is unlike any other scholastic endeavor I have undertaken.1 The narrative is of a woman who leaves her husband’s house, only to be retrieved by her husband, gang raped on her way to his home, and dismembered upon arrival. This intense violence then escalates to the abduction and rape of more than 400 virgins and the death of many more (Judges 20-21).

The first time I encountered this narrative was while reading Phyllis Trible’s Texts of Terror as an undergrad student. While at the time I did not fully understand the textual nuances Trible points out, I did understand this story was sacred in a way I could not articulate. It was not until years later that I realized I was not truly listening to the story because I had not read it from the pîlegeš’ perspective and was yet to be affected by the horror of it.

An explanation is needed when one calls a story of violence sacred. To clarify, it is the telling of the story that makes it sacred, not the violence. In much of the world today, violence done to women is taboo.2 Not only are the violent acts ignored, but the victim and her retelling of the acts are also often ignored. Perhaps this is because our society is biased towards the perpetrator. Perhaps it is because our faith communities have self-identified as loving and to acknowledge violence is to acknowledge failure. But perhaps it is mostly because violence is hard to process, especially when the violent act is committed against a loved one, and we prefer not to struggle with the presence of violence all around us. Continue reading “Painting Women from Judges – Part 3: The Sacred Account of the Levite’s Pîlegeš by Melinda Bielas”

Passover and the Exodus: A Feminist Reflection on Action, Hope, and Legacy by Michele Stopera Freyhauf

Freyhauf, Durham, Hahn Loeser, John CarrollLast week, Supreme Court Justice Ruth Bader Ginsburg was in the news again, but not for reasons you would expect.  She, along with Rabbi Lauren Holtzblatt, penned a feminist essay about the Exodus title “The Heroic and Visionary Women of Passover.”  Finding this story was exciting, especially because I am so drawn to the Exodus story (the intrigue and curiosity of which caused me to return to school and study, as one of my main areas of focus, Hebrew Scriptures – along with Archaeology and Ancient Near Eastern History).  Now women’s roles in this story are being elevated thanks to Justice Ruth Bader Ginsburg and Rabbi Holtzblatt.

Before I discuss the message and the importance this message brings, I think it is important to know an important fact about Justice Ginsburg.  Ginsburg is not observant, but does embrace her Jewish identity.  When her mother died, she was excludedRuth_Bader_Ginsburg_official_portrait[1] from the mourner’s minyan because she was a woman; an event in Judaism that is meant to comfort the mourner, brings a sense of community, and is considered obligatory – a means of honoring our mother/father.  This important event left an impression and sent a loud message that inspired and influenced her career path – she did not count – she had no voice – she had no authority to speak.  No wonder her life and career focuses so much on women’s rights and equality.

As many of us know, the story of Exodus is focused on two things 1) Moses and 2) liberation from the bonds of servitude and enslavement; women are rarely discussed.  In the essay co-authored by Ginsberg, women are described as playing a crucial role in defying the orders of Pharaoh and helping to bring light to a world in darkness.  In the Exodus event, God had partners – five brave women are the first among them, according to Ginsburg and Holtzblatt.  These women are: Continue reading “Passover and the Exodus: A Feminist Reflection on Action, Hope, and Legacy by Michele Stopera Freyhauf”

Painting Women from Judges – Part 2: The Woman from Timnah Reframed by Melinda Bielas

Melinda BielasThe story of the woman from Timnah, Samson’s first wife – found in the Hebrew Bible, Judges 14:1-15:6 – is often interpreted as yet another wickedly seductive woman who distracts and confuses the heroic judge, preventing him from enacting the deity’s will. I remember the first time I questioned this interpretation: I was an undergraduate student teaching a youth bible study.I asked the high school students in the room what they thought about the Timnah woman and how we might understand the story differently if we read it from her perspective. Neither the students nor I had any idea how to answer these questions because we did not know how to see Samson as anything but a hero.

In her groundbreaking work, Trauma and Recovery, Judith Herman points out that it is impossible for bystanders to remain morally neutral in cases of traumatic events. However, especially in cases of violence against women, our society is biased towards the perpetrator, requiring the victims to not only explain their painful experiences but also to refute the silence, denial, and rationalization of the perpetrators. In addition, the victim asks much more from bystanders than does the perpetrator. Whereas victims ask for action, engagement, and remembrance, the perpetrator requires that the bystander do nothing. Herman’s work is significant in this context because our societal norms affect how we understand narratives and determine which morals we take from the biblical text.

While it is a prevalent view in the academy and church, I think the interpretation of Samson as the victim in this narrative is wrong. This becomes clearer when one assesses Samson’s actions when women are absent and considers the text from the woman’s perspective. Some of Samson’s actions in Judges 14 that do not occur when the Timnah woman is around to “lure” him from his divine path include: walking through vineyards, touching unclean carcasses, and participating in non-Israelite cultural traditions (i.e. drinking parties). As a Nazirite, Samson was not supposed to interact with impure things like wine, grapes, and dead bodies (Num. 6:1-21). It is odd that someone who should not be eating grapes would be walking through a vineyard (Judg. 14:5); that someone who was supposed to stay away from dead bodies would scoop honey from a carcass (Judg.14:9); and that someone who is supposed to refrain from intoxicants would participate in a drinking party (Judg. 14:10). It is clear that Samson was not an upright judge, and that loose women were not the primary cause of his unrighteous behavior. Continue reading “Painting Women from Judges – Part 2: The Woman from Timnah Reframed by Melinda Bielas”

Painting Deborah by Angela Yarber

angelaDeborah is one of the few women in scripture depicted as a strong leader who does not need the help of a man. The start to Deborah’s story appears bland, a mere introduction to a narrative that will later become juicy, surprising, and even a bit gory. Judges chapter four merely introduces us to a woman named Deborah, a judge over Israel. Judges is a book that records a time when Israel was without a king, so judges had to arbitrate justice, command, lead, and settle disputes. The book of Judges involves a constant downward spiral in which the people of Israel experience God’s grace; they forget God and do evil; they get into trouble and cry out for help; a judge arrives to help; the people get better; the judge dies and the people repeat the cycle.

When Deborah appears on the scene, the people have gotten themselves into trouble. We, as readers, know that because she is a judge, she will deliver them. But it’s easy to pass over Deborah’s uniqueness in reading her seemingly boring introduction. As in most texts, when we take time, we realize there is much more than meets the eye. Continue reading “Painting Deborah by Angela Yarber”

Painting Women from Judges – Part 1: Jephthah’s Reflective Daughter by Melinda Bielas

Melinda BielasThe story of Jephthah’s daughter – found in the Hebrew Bible, Judges 11:29-40 – is a difficult story to read. The first time I read it, I was in my Christian high school Bible class and I could not understand why our teacher did not address the violence done by a father to his daughter. In my experience, Christians dismiss much of the violence done to women in the Hebrew Bible as evidence that ancient fathers, brothers, and husbands really did not care for their daughters, sisters, and wives. Since today men love the women in their lives, the ancient problem is no longer an issue, and we can continue with more pressing issues – or so the unspoken logic goes.

However, some feminist scholars – such as myself and Dr. Tammi Schnider – argue that it was common for fathers to love their daughters in the Hebrew Bible, and Jephthah is no exception. His daughter is his only relative in the text, and presumably the only person impatiently waiting for him to return from the war he led. Yet, because of the vow he makes to the deity – a vow the deity does not request or acknowledge – he sacrifices his only loved one. Why would he make such a vow? Why would his daughter go along with it? These are two of the questions I could not help but yell as I struggled with the text. Continue reading “Painting Women from Judges – Part 1: Jephthah’s Reflective Daughter by Melinda Bielas”

Research and the Dissertation: Getting Back to Basics by Michele Stopera Freyhauf

Freyhauf, Durham, Hahn Loeser, John CarrollHistory is written by the victors – this is something that we all know, or at least should know. I apologize in advance for being elementary in my discussion, but I think one thing that scholars tend to do too often is assume our readers or audience has a firm grasp on what we are talking about. With this topic, I am not assuming.

When studying artifacts from past civilizations, an interesting phenomenon of using spolia as a demonstration of conquest is commonplace. If a conquered country’s deity is placed on the bottom of a column, or even turned a different direction, the significance usually means that deity is demoted or inferior – this is found in the Hagia Sophia (especially under the structure). If spolia is found whereby a country adds their deity (even if that deity is their ruler) to another country’s monument, then there is a coexistence or combining of empires with the conquesting ruler in prominent view, even substituting past rulers. This is best demonstrated on the Arch of Constantinople whereby Christian symbols and the likeness of Constantine was incorporated into an arch that once displayed the victories of Marcus Aurelius and Domitian. If you are interested in this topic, please see my article “Hagia Sophia: Political Symbolism in Stones and Spolia” in Popular Archaeology magazine.

Continue reading “Research and the Dissertation: Getting Back to Basics by Michele Stopera Freyhauf”

“Justice, Justice You Shall Pursue:” Finding Hope in Justice-Seeking Movements. by Ivy Helman

20140903_180423For the past few weeks, there has been a lot of discussion about racism in the United States and rightly so. It is clear from the lack of charges and the repetition of similar crimes across the United States by different members of various law force communities that some people because of the color of their skin are immune to the consequences of their actions and others, also because of the color of their skin, are often the victims of such actions. Criticism, here, in the forms of protests, federal inquiries and outrage are essential.

I am reminded of oft-quoted part of the Torah: Devarim (Deuteronomy) 16:20, one that I saw on some of the signs Rabbis carried with them in the protests. “Justice, justice shall you pursue, that you may thrive and occupy the land that the Lord your God is giving you,” (from the JPS translation). G-d tells those early Israelites that justice is a requirement not just for their survival in the Promised Land, but also if they want to have good, long lives. Later tradition, from the Talmud to Rashi and beyond, interpret this passage as a call for a just court system within Jewish society.  Likewise, all who use the system should have the principle of justice in mind.  There is also a lot of conjecture as to why justice is said twice. Many modern scholars call attention to the way in which religion and state were considered one in same for this time period and much of human history. Continue reading ““Justice, Justice You Shall Pursue:” Finding Hope in Justice-Seeking Movements. by Ivy Helman”