Mess and Magic, by Molly Remer

Maybe beautiful things 77381912_2495811250631082_8017831208572420096_o
don’t only grow from peace,
maybe they grow from the
soil of living,
which holds both
blood and tears
muck and magic.

Last week I tried to work on my book while the household debris whirled around me. We are supposed to be leaving for homeschool co-op in just a few minutes, I still need to take a shower, there are orders to fulfill and I really, really want to format this title page, add two attributions, and re-upload the digital file.

The toilet has a ring of water around it, or is it pee, the children come to report.

There’s a weird smell in the kitchen.

I can’t create like this, I yell.

I want to be inspiring, not so messy, not like this.

I gesture frantically, almost crying, my hair wild, my eyes frenzied.

I only have nine minutes before it is time to leave and I still need to take a shower and I haven’t finished my formatting. I stare at the screen and shout:

I only want to make things
from a place of beauty and peace.

But, then I say:

maybe beautiful things don’t only grow from peace,
maybe they need this too, this mess, in order to flourish.

I abandon my book file, left open on my screen, photo half placed and words askew and I take my shower with my heart beating too fast, my mind spinning with to-dos, and agitation thrumming through my veins.

I hastily dry my hair and we pack the car. We will be late, I know. As fly down the road there is a big buck in the road.  It is hunting season and I stop the car on the hill to watch him. Our eyes meet for a moment, he is still, his antlers are wide and beautiful, some of the nicest I’ve ever seen. His shoulders are broad and brown in the early morning sun.

Run free, big guy, I say, run free. If you go up the hill, you will be at our house and it is always a safe place.

This feels both true and beautiful.

A week passes and it is still hunting season, rifle now instead of bow, so my husband and I put on our orange vests before we go out for our morning walks, so that no one will shoot us. I have lived in a state where hunting is an established part of the culture for my entire life, so deer season is “normal” to me and I understand the purposes of it, though I cringe every November to hear the gunshots in the early morning, the wild eyes and swiveling ears of the deer whose home has been invaded with fear and risk after a summer of grazing on wild grasses and berries.

Today, as we walk, we reach the crossroads and something tugs at my attention. I turn back and look into the woods where my eyes catch on the body of the beautiful buck, lying motionless at the base of an oak tree. He has been murdered and then left behind, his large body still and silent, his beautiful antlers against the leaves, the sun glinting on a stripe of white along his belly. His legs are folded against his body, relaxed, this is not a very old kill.

My thoughts of my work and my doing and all the everything that needs my attention fall away and I am struck with grief at this senseless death. I think about his antlers and how I’ve always wanted to find some and I know that someone will come back and cut off his head to remove them. I think for a moment that it could be me who does this, but I don’t have the heart or stomach for it. I imagine taking rosemary and lavender petals to scatter over his body, I imagine laying my hands across his fur and thanking him for being here. I think perhaps that after the vultures and coyotes have done their work I will creep back through the woods and look for him, for his bones, and perhaps I will collect the antlers then, if they have not been chewed by rats or carried off by dogs. I hate that this has happened. It tortures me to walk back by and leave him there, disrespected and alone.

I leave a message for our closest neighbor asking if perhaps he shot a deer that got away and later died in our woods. I message another neighbor and ask if he thinks there is anyway the meat could still be used. The first neighbor calls me back a half hour later, I am surprised to hear his voice on the phone, as we don’t talk often. He is agitated and yelling, not at me, but about the men he found in the road yesterday who killed this animal. He heard the gunshot while cleaning his own deer from the morning and flew down the road to confront them, where he found them standing in the road, truck parked at the crossroads, the deer dead beneath the tree. This is illegal and it disgusts him, his voice shakes as he recounts the story. He tells them that he will always know what they did and they are the ones who have to live with themselves and their actions. They deny it, claim someone else must have done it and drive away, leaving the body behind. He expects they will sneak back in the night to take it, but they have not, and there he lies in the dappled morning sun.

Our employees have arrived to work and the house is full of voices and questions and people waiting for me to do things. I take a shower anyway. Showers are one of those things I occasionally withhold from myself as I desperately try to keep up with everything people need and want from me in a given day, but I take the shower and try to let the adrenaline, the anger, the sense of waste and loss wash away from me. I keep thinking about the deer, his life, my mind turning it over and over, my body filled with sorrow.

As I am putting on my lotion and simultaneously also answering calls from our bank 73292554_2486141391598068_5135782722731507712_oabout a new account, feeling rushed and out of breath, there is a knock on the front door. I quickly dress and go out to the living room, my hair still wet and ragged, and find our other neighbor standing there. He is holding two white skulls in his hands, long antlers curving between his fingers. We talk about the buck, about the waste of his life, about the disrespect and senselessness of this action. He is a hunter too and he says he has been watching this deer for more than a year and that you get to know them when you live here, that you see the same ones, sometimes every day, that there are only so many in a given range, and you get to be a part of their lives. We ask him if he knows Limpy, the doe with the broken leg that healed crookedly, but that we see almost every day, sometimes twice a day, in the field across the road.

She raised twin fawns this year, he says.

We look at each other quietly for a moment. I feel a wave of gratitude that I live somewhere where the neighbors, too, know Limpy and her babies.

I hurt my ankle in June of this year and when I could finally walk on the road again, taking my first real walk in six weeks, I saw Limpy and her twins at the end of our driveway. She looked at me for a long time and I felt a sense of kinship with her, two mothers with injured legs, trying our best to keep going.

My neighbor holds the antlered skulls out to me and says he will call the buck in to the conservation department as you are supposed to do. He says this deer has sentimental value to him and he will make a mount with his head and he is offering me these skulls in trade. I take them with gratitude, though it isn’t the same as finding my own. The antlers are whitened and smooth. One has small chew marks along two of its spikes, the others has knobby ridges along the base. They are beautiful. I hold one skull in each hand, antlers curving along my arms. They feel like precious treasures to me, something given, something received, a moment of genuine respect for a needlessly slain creature of these woods we all love.

When Mark and I walk the next morning, the buck’s body has been moved deeper into the woods, out of sight, and there is only a heavy flattened place stained dark red in the carpet of oak leaves across the forest floor and the thick smell of blood in the air to indicate that he was ever there. We know though, we shared this home ground, and I leave rosemary, lavender, and thyme scattered across the blood-soaked leaves.

Molly Remer has been gathering the women to circle, sing, celebrate, 65317956_10219451397545616_5062860057855655936_nand share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri. She is a priestess who holds MSW, M.Div, and D.Min degrees and wrote her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, mini goddesses, and jewelry at Brigid’s Grove. Molly is the author of WomanrunesEarthprayer, the Goddess Devotional, She Lives Her Poems, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Patreon, Brigid’s Grove, and Sage Woman Magazine.

 

Mini-Reunion by Esther Nelson

A couple of weekends ago, Nancy, one of my classmates from nursing school, organized what she called a “mini-reunion” at her home in New Jersey.  Seven of us gathered together to well, reunite.  Our graduating class (Muhlenberg Hospital School of Nursing, Plainfield, N.J.) was small.  We started out with forty students—all women.  Only twenty of us made it to the finish line.  One of our fellow graduates, Marcia, died a few years ago.  Two or three of the initial forty students dropped out due to health problems, but were able to graduate a year later with the following year’s class.  Some students were asked to leave the program because they could not cut it academically or clinically.  Others decided they didn’t “belong” in nursing and quit.

These are the nurses that gathered for the “mini-reunion.”  Starting at the left: Lois, May, Esther, Carol Lee, Nancy, Chris, and Joyce. Continue reading “Mini-Reunion by Esther Nelson”

Insect Conversations by Barbara Ardinger

“She’s doing it again,” Mrs. Cockroach is saying to her friend Old Mrs. Spider. “You know? The giant? She’s been blowing on me and telling me to live somewhere else. Like, I’d leave a good home?”

 

                         

 

Old Mrs. Spider looks up from her weaving. “Yes,” she says in a weary voice. “But you know she’s not a giant. She’s just a normal human being, well, overweight, as I understand humans measure their bodies. And if she’s going to blow on us and ask us to live somewhere else, well…..I think she needs to brush her teeth.”

Mrs. Cockroach chuckles. “Indeed. We insects, maybe with the exceptions of fleas and termites, we don’t have bad breath. Blood-breath and wood-breath are sour! I was sitting on the wall in her bathroom, keeping an eye on things and telling the termites to get away from the window, and she just walks up. Doesn’t she know we insects and arachnids are protecting her house?”

Continue reading “Insect Conversations by Barbara Ardinger”

A Dream of Death and the Light Beyond Light: Remembering Ñacuñán by Laura Shannon

In my final year of college, my B.A. in Intercultural Studies required me to take a daily accelerated Spanish class. Thus I met Ñacuñán Sáez, the dazzlingly urbane young professor from Argentina who had recently come via Italy and Oxford to our tiny liberal arts college in western Massachusetts. Ñacuñan spoke four languages, adored Maria Callas, and showed up at his first faculty dinner party amongst the snowshoes, mufflers and plaid lumberjack coats of the Berkshire Mountains sporting a white dinner jacket and carrying a bottle of Campari.

Ñacuñán Sáez

Ñacuñán taught with theatricality and flair, keeping us students awake and interested, even at the ungodly hour of 8.30 am each day. The sample sentences he concocted as grammar exercises were gems of Latin American magical realism, provoking laughter as well as thoughtful discussion about different beliefs, realities and worlds.

Continue reading “A Dream of Death and the Light Beyond Light: Remembering Ñacuñán by Laura Shannon”

Two Friends by Sara Wright

Root Woman
Tree Woman
Sky Woman
Dear friends
Greet,
converse with one another
on the steely silver edge
of Truth and
Change.

Weaving together
roots
twigs, leaves,
clumps of dirt,
the two carve out
an underground story.
Mythic toads instruct them
about the Ground Way
of Being: Continue reading “Two Friends by Sara Wright”

If Holly Near’s Simply Love Album Were a Musical by Elisabeth Schilling

For many of us, listening to women-loving-women songs is a spiritual experience. That is because somehow it makes us feel seen, puts a sense of hope into our world as well as daydreams of romance. We can understand the challenges and the regret or guilt that comes with disappointing others and ourselves, them for not being who they wanted us to be and for us, not being who we are for far too long. Holly Near’s Simply Love album narrates a story that I might envision as a musical theatre production, and I really wish someone would ask me to write it and then hold the casting call (yeah, I’d want to be in it too, so save me a part). I offer some of my thoughts on two central songs in the would-be musical in hopes of sacred liturgy on a potential stage.

Simply Love has 28 songs and was released (according to Spotify) in 2000. I think the synopsis would be surrounding Cassandra, in a loving relationship with her partner, reflecting on her journey to this place of authenticity. I can imagine how it might be living one’s live in an exploratory way and coming to new revelations later in life.

Continue reading “If Holly Near’s Simply Love Album Were a Musical by Elisabeth Schilling”

Nourishing Your Caring, by Molly Remer

Take time 60107979_2326071390938403_2921363486892097536_o
to nourish
your caring.
It is needed.

Last month it was raining heavily on a Saturday morning and I spent time coloring letters to fairies with my younger children and baking a cake. Before I knew it, the day had slipped away into the rain and I didn’t get to make my daily visit to the woods behind my house as I like to do in the morning. While the things I did instead were fun and loving, I found myself telling my husband, once again, that I am feeling burned out in my life in general and like I’ve lost my caring. I sometimes worry that I don’t care anymore, that I’ve used up my care, my inspiration, my passion, that I’ve fueled magic for others for so long, that my own has evaporated and I’m finished, extinguished. I listed off the things I need to refuel my soul and restore my care so that I can be there for others, for our work. My list was simple and short and my husband pointed out that I get the things on it almost every day:

  1. Go to the woods.
  2. Write and journal.
  3. Walk and discover things.
  4. Create/draw/take pictures.
  5. Read.

I need to nourish my care, I tell him, because I can’t stop caring.

Caring is what holds life together.

What do you need to nourish your caring?

This year, I have found myself struggling with recurrent episodes of feeling like I don’t care. I feel careworn, care-overloaded, care-burned out, care used-up. Sometimes I even feel like I actually can’t care anymore, like all my care is used up, spent, extinguished, exhausted. I have also found myself feeling a little sad and wistful remembering how much I used to care, about everything, but at times I also feel liberated by owning the “don’t care” sensation. Sometimes it sets me free. The world is stained, strained, and brittle from so much lack of care from so many people. We must keep caring, we must care, even when it is a strain. I suppose the secret may be not to care too much about things that don’t require our care, not to overload ourselves with cares that are not our own, or that don’t actually require our attention and are, frankly, quite fine without us and our meddling.

After the month’s Pink Tent ritual with my local circle, a friend tells me that she has been 58639012_2319362924942583_1704575264542949376_o(1)going to yoga class and every time she lies on the floor at the end of class, she thinks of me. I consider this a compliment. If I could be known as a lay-down revolutionary, that would please me. At least two years ago, I put on my list of “100 Things to Do this Year,” to lie on the floor for at least three minutes every day. I have kept this up more or less every day since then, even setting my phone timer for three minutes at the end of my personal yoga practice each morning, so I know I’m actually giving this to myself. I wonder what might change for many of us if we allowed ourselves three minutes a day to lie on the floor? Ten minutes? Fifteen minutes? One hour? Another friend tells me she needs a time out to refill herself until she is overflowing, instead of just refilling her cup a tiny bit and then draining it over and over again. I feel this too. I have the sensation that I been coasting on my reserve tank for at least a year and my reserves are now becoming depleted too. It takes more than three minutes to fill the tank, so that it carries sustained and lasting energy to fuel my soul.

In the woods the next day, I sit with my eyes closed in the sunshine, basking in the warmth. I hear the sound of birds from each side of me, ping-ponging off of one another into the sparkling green air. I listen to them until my mind softens and I am no longer tormenting myself with questions of how to be better, be more, fix it all. I am very still on the rock and when I open my eyes, I see a vulture coasting towards me. It swoops very low, skimming the treetops, possibly checking to see if I am actually breathing there on the stone, it circles once, twice, three times, above my head, at each pass coming very low, low enough that I can see its red head turn from side to side, looking at me.

Hey, buddy, I say. Yes, I’m still breathing!

My floor-lying friend has spent the night at my parents lodge and I go to visit her and to paint with my mom, my daughter, and my friend and her family. My head is throbbing with the headache I often get following an intense ritual and I don’t feel very present, but we paint anyway, the colors swirling and mixing and the freeform nature of the pour painting meaning there are no mistakes, only magic. When we finish, I help her load a weaving loom into her car and we speak briefly about group dynamics and ritual etiquette, and priestessing energetics. As we speak, I look up to see nine vultures this time, circling in the wide sky above the large open field surrounding the lodge building. They dance in the air and they whisper, It is okay to let go. It is okay to soar. It is okay to be free. It is okay to clean things out and away. That is how you can keep caring.

Recipe for Rebuilding a Soul:

1 weary heart61445954_2342336385978570_2975037873578835968_o(1)
2 open arms
1 large flat rock
As many tall pine trees
as you can find
1 empty book
Many pens
Lots of water
2 scoops of sunlight
An infinity of starshine.

Mix together patiently and wait in the shadows. Let rise in the sun. Let rise with the moon. Check for delight. If still soggy and deflated, expose on a hillside or soak in the ocean. Sprinkle with laughter.

Submerge beneath a stream of inspiration.
Drizzle with dreams and a generous helping of time.
Steep with incredible slowness.
Dust with flowers and need well.
Let become exquisitely tender and soft.

When fully risen, warmed throughout, and glowing with strength and satisfaction, enjoy with a tall glass of moonlight, a side of magic, and a handful of enchantment.

Create regularly for best results.

Additional audio poem: Careworn Soul

This essay is excerpted from my book in progress, The Magic of Place: Rebuilding the Soul Where and How You Are.

Molly Remer has been gathering the women to circle, sing, celebrate, and 61538890_2344169199128622_8199673458095816704_oshare since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri. She is a priestess who holds MSW, M.Div, and D.Min degrees and wrote her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, mini goddesses, and jewelry at Brigid’s Grove. Molly is the author of WomanrunesEarthprayerShe Lives Her Poems, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Patreon and at Brigid’s Grove.

Making it Mine: An Un-Orthodox Passover by Joyce Zonana

Passover is a holiday of remembrance, of ritual re-enactment: this, we say, is what our ancestors experienced. This is what they felt and knew, what they tasted in their blood. The movement from slavery to liberation, from the soul’s winter to spring. We must never forget, we say, we must always remember, be thankful for our freedom, never take it for granted. “In each generation,” the Haggadah enjoins, “we should feel as if we personally had come out of Egypt.”

jz-headshotThis year, I celebrated the Jewish feast of Passover on March 31st–almost three weeks before the holiday’s official start on the evening of April 19th, the 15th of Nissan. It turned out to be my best Passover yet.

Because I’d been accepted for a residency at an artists’ colony beginning on April 17th, I had known since last Fall that I would not be home for the holiday. Given Passover’s importance for me–a Jew who left Egypt in her own lifetime, part of what some have called the “Second Exodus”–I had thought I might postpone the residency and even considered turning it down. But the colony could not change the dates, and, after much deliberation, I decided that my work as a fledgling translator was worth missing my usual gathering of family and friends. I told myself I could mark the arrival of Passover internally.

Continue reading “Making it Mine: An Un-Orthodox Passover by Joyce Zonana”

The Sanctuary of One Another by Molly Remer

53850207_2292227257656150_5800641319395131392_o“Please prepare me
to be a sanctuary.
Pure and holy
tried and true.
With thanksgiving
I’ll be a living
sanctuary
for you.”*

Beautiful Chorus (Hymns of Spirit)

In March, my husband drove our daughter into town to work at her Girl Scout cookie booth and released me to prepare for an all-day Red Tent retreat for my local women’s circle. After I packed my supplies for ritual, I set off on a walk in the deepening, rain-dark twilight. As I walked, I sang a song of sanctuary over and over, until I felt transported into a different type of consciousness, my feet steady on muddy gravel, the leafless branches stark against grey sky, moss and stones gleaming with sharp color against the roadside. A fallen tree absolutely carpeted with enchanting mushrooms caught my eye and invited me off the road and into its arms. As I stood there, feeling as if I had stepped out of ordinary reality and into a “backyard journey,” the spring peepers in the ephemeral pool in our field began their evening chorus. It has been so cold out with below freezing temperatures, snow, and ice for days since first hearing them in early March that I actually wondered if they would survive to continue their song.

Mercifully, though, it is not a silent spring. Continue reading “The Sanctuary of One Another by Molly Remer”

Practical Lessons in Kindness from the Grasshopper and the Ant (With apologies to Jean de La Fontaine for significant changes to his fable) by Barbara Ardinger

Note: This story was originally posted early in 2016. I’m posting it again because, thanks to the state of UNkindness the Abuser-in-chief has pasted all over the semi-civilized Semi-United States, we need lessons in kindness more than ever before. I bet you agree with me!

“Curses on that grasshopper!” exclaimed the ever-busy Madame Fourmi. “All he ever does is play. He’ll be sorry when winter comes.”

And so it went. Every day, Mme. Fourmi spent the morning scrubbing her front steps. And Monsieur Cigale?

“Partaaaaayyyyy!” Every day, he sped by on his skateboard. “Hey, Auntie Ant, stop cleaning the concrete and come and play with us. We’re gonna start a band!”

“Not on your life,” muttered this grandmother, most of whose conversations with her many daughters and granddaughters consisted of instructions on how to properly clean their homes and hills and how to prepare and store food for the winter. “Life is serious business, it is, it is. We need to plan ahead.”

Continue reading “Practical Lessons in Kindness from the Grasshopper and the Ant (With apologies to Jean de La Fontaine for significant changes to his fable) by Barbara Ardinger”