Goddess – Page 31 – Feminism and Religion

Yemaya, Mother Whose Children are the Fish by Judith Shaw

I spent the winter holidays in Rio de Janeiro with my sister. It was wonderful to experience the warmth of both the Brazilian people and summer in the Southern Hemisphere but a little odd to miss the quiet, dark time of winter back home. One huge bonus to the trip was to be in a place where the worship of Yemayá is alive and active. I was blessed to witness a ceremony to her on New Year’s Eve held by Afro-Brazilian practitioners of the Candomblé religion on the beach of Copacabana.

Continue reading “Yemaya, Mother Whose Children are the Fish by Judith Shaw”

Strolling with Sekhmet and Bast into the New Year by Jan Peppler

In my dream, two large cats are walking towards me on a sidewalk. They are large cats, not house cats, rather, lions or tigers and they are walking on two legs, standing up, like humans. Wait, their bodies are human, only their heads are feline. As they come closer, they appear to have top hats on their heads. They look like twins. I step aside and they stroll past me.

Clearly Sekhmet and Bast have come to me in my dream. These goddesses are not part of my faith tradition. Yet depth psychology is my tool for understanding and dreams are the realm of life: animating the forces bubbling beneath the surface. I must turn my face to these feline goddesses, bow and listen, to hear what they may want to share.

Sekhmet and Bast derive from Net or Neith, the oldest Egyptian female deity. Both were considered daughters and consorts of Ra (or Re), the sun god. Bast was designated the mild eye of Ra, while Sekhmet was the sun’s scorching eye. As such, the two goddesses are both opposites and complements of each other. Continue reading “Strolling with Sekhmet and Bast into the New Year by Jan Peppler”

Goddesses of Mindfulness for a New Year Feminism and Religion by Angela Yarber

I’ll be honest. For me, 2017 royally sucked. Though “feminism” was dubbed the “word of the year” by Merriam-Webster’s—as evidenced by the Women’s March, the Handmaid’s Tale, Wonder Woman, and the Me Too Movement—the reason feminists thrust our fed-up fists into the air in protest so frequently was because of the way women are routinely unjustly treated.

In the midst of this global, political, national fury, I experienced personal struggles in 2017 with the death of my brother and my mother’s cancer diagnosis. There was beauty and goodness that filled the year, to be sure, but you can believe me when I say that I am welcoming 2018 with open arms. As I entered into conversation with myriad feminists across the gender spectrum around the world, it seems that many echo these sentiments. We could not wait to bid 2017 farewell. Yet, I knew that I did not want to enter the year filled only with bitterness and resentment. Rather, I wanted to mindfully move forward with radical gratitude, hope, and intentions set on creating a more beautiful 2018. Enter the goddess. Continue reading “Goddesses of Mindfulness for a New Year Feminism and Religion by Angela Yarber”

“It Came Upon a Solstice Morn” by Carol P. Christ

It came upon a Solstice morn,

that glorious song of old,

with angels bending near the earth,

to touch their harps of gold.

“Peace on the earth.

good will to all,”

from heaven’s all glorious realm.

The world in silent stillness waits,

to hear the angels sing.

I wake in the dark of Solstice morn.

Mountains shrouded in clouds,

cold wind blowing,

light dawns.

My mother heard

the angels sing,

on Solstice eve,

calling me to life,

her Christmas Carol.

Blessed Mother Always With Us.

Longing for my beloved,

on Solstice morn,

I heard Sappho sing:

Thank you, my dear

You came and you did

well to come: I needed

you. You have made

love blaze up in

my breast–bless you!

Bless you as often

as the hours have

been endless to me

when you were gone.

Cold tiles,

bare feet,

coffee brewing,

elderly dog stirring,

I open the garden door.

And there it is.

Solstice miracle.

Three purple irises.

blooming in the cold.

Life triumphing over death,

every time.

New words to the traditional carol “It Came Upon a Midnight Clear” by Carol P. Christ.

Sappho translated by Mary Barnard.

Thanks to Miriam Robbins Dexter for the digging iris bulbs from her garden for me to plant in mine.

My mother promised my father to name me Susan or Peter but when she heard carolers in the hospital, she changed her mind.

* * *

Carol’s new book written with Judith Plaskow, is Goddess and God in the World: Conversations in Embodied Theology.

FAR Press recently released A Serpentine Path: Mysteries of the Goddess.

Join Carol on the life-transforming and mind-blowing Goddess Pilgrimage to Crete. It could change your life! Spring tour filled, sign up now for Fall 2018.

Carol’s photo by Michael Honegger

Marija Gimbutas Triumphant: Colin Renfrew Concedes by Carol P. Christ

The disdain with which the work of archaeologist Marija Gimbutas has been held in the field of classics and archaeology was shown to me when I stated quietly at a cocktail party at the American School of Classical Studies in Athens that I was interested in her work. This comment, tentatively offered, unleashed a tirade from a young female archaeologist who began shouting at me: “Her work is unscholarly and because it is, it is harder for me and other women scholars in the field to be taken seriously.”

Responding to the backlash against her theories, Gimbutas is said to have told a female colleague that it might take decades, but eventually the value of her work would be recognized. It is now more than twenty years since Marija Gimbutas died in 1994, and the value of her work is beginning to be recognized by (at least some of) her colleagues—including one of her harshest critics. In a lecture titled “Marija Rediviva: DNA and Indo-European Origins,” renowned archaeologist Lord Colin Renfrew (allied with the British Conservative Party**), who had been one of Gimbutas’s most vociferous antagonists and a powerful gate-keeper, concluded the inaugural Marija Gimbutas Lecture at the Oriental Institute of the University of Chicago with these words: “Marija [Gimbutas]’s Kurgan hypothesis has been magnificently vindicated.” Continue reading “Marija Gimbutas Triumphant: Colin Renfrew Concedes by Carol P. Christ”

Hooray! The Holiday Season Is At Hand! by Barbara Ardinger

December seems to have more holidays than the rest of the year put together. Days to honor Ix Chel, the Virgin of Guadalupe, St. Lucy (aka Santa Lucia), the Declaration of Human Rights, and the publication of the Rider-Waite Tarot. Saturnalia. Hanukkah. Christmas. Kwanza. Yule. Innumerable reasons to go shopping for gifts and banquets. Here, to help you survive the holiday season, are two Found Goddesses.

Who, you may ask, is a Found Goddess? The term comes from Found Goddesses, published in 1988 by Morgan Grey and Julia Penelope. Found Goddesses are modern ones that we invent to deal with modern issues that the classical pantheons can probably not cope with. Like going to the mall and cleaning our houses before our guests arrive. (Note that I’ve rewritten these pieces a bit to bring them more or less up to date.)

Continue reading “Hooray! The Holiday Season Is At Hand! by Barbara Ardinger”

The Impact of Marija Gimbutas on My Life and Work by Carol P. Christ

Last winter FAR contributor Glenys Livingstone lovingly and professionally edited all of the interviews for the film on Marija Gimbutas’ life and work, Signs Out of Time, by Donna Read and Starhawk, and posted them on youtube. Though I received a link to my interview from Glenys, I was too busy (or too depressed?) to watch it at the time.

As I watched and listened to my twenty years younger self yesterday, chills went up and down my spine. How, I wondered, did she know so much way back then? Maybe (I thought) she really was drawing on the underground spring described by Marija Gimbutas as bursting forth from time to timε to bring us wisdom from the ancestors of Old Europe.

Thank you Glenys for the fantastic editing job.

* * *

Carol’s new book written with Judith Plaskow, is Goddess and God in the World: Conversations in Embodied Theology.

FAR Press recently released A Serpentine Path: Mysteries of the Goddess.

Join Carol on the life-transforming and mind-blowing Goddess Pilgrimage to Crete. Sign up now for 2018! It could change your life!

Carol’s photo by Michael Honegger

Painting Breast Cancer Goddess by Rev. Dr. Angela Yarber

October is Breast Cancer Awareness Month, though I imagine most of us are already relatively aware. One in eight women will have breast cancer. Pink is everywhere. It’s difficult to find a person who hasn’t been impacted by breast cancer on a personal level. In 2003, my mom was diagnosed. Radiation, a lumpectomy, and ten years later she was dubbed cancer free. When I finished my Ph.D. in 2009, I did a stint as a Research Assistant for a fabulous liturgical studies scholar working on a book that examined and created rituals for women with breast cancer. My task was researching everything written on breast cancer that intersected with feminism, womanism, religion, spirituality, and ritual.

Audre Lorde’s Cancer Journals struck me profoundly. The critiques weighed heavy as a movement that began with destigmatizing breast cancer and offering solidarity to patients has transformed into a pinkified commodity. Whether it’s the lack of transparency in major breast cancer foundations, pinkification, the essentializing conversations that equate breasts with womanhood, lack of access to comprehensive health coverage, the role of the meat and dairy industry in increased risks of breast cancer, the talk of “surviving” and “fighting” as though those who don’t survive aren’t fighters, or the complete lack of representation of women of color in any pink marketing (seriously, do a google image search of “breast cancer headwraps” and feast your eyes upon an endless array of young, white women), breast cancer awareness has been commodified so that helping cancer patients is second to profit. Amidst these pink teddy bears delicately embroidered with the word “fighter,” one can only wonder what we can actually do and offer and create to be supportive of those with breast cancer. What rituals might we offer? What sacred spaces might we create? What is a feminist response? A spiritual response?

Continue reading “Painting Breast Cancer Goddess by Rev. Dr. Angela Yarber”

What I Believe (Post-2016) by John Erickson

Ever since the election of You-Know-Who, I have been doing a lot of creative writing.

Ever since the election of You-Know-Who, I have been doing a lot of creative writing. Unlike academic publications, policy reports, or my dissertation, creative writing, much like my mentor Dr. Marie Cartier has written about, provided me with a needed escape from a world that seems to grow darker with each passing day. In college, I served as Poetry Editor for the Wisconsin Review, the oldest literary journal in Wisconsin. Continue reading “What I Believe (Post-2016) by John Erickson”

Call for Contributions: She Rises Volume 3 Goddess Feminism, Activism, and Spirituality

She Rises Goddess Feminist Activism Collective Writing Project: Call for Contributions

She Rises: What … Goddess Feminism, Activism, and Spirituality? Volume 3 Two books: The main book and a sectional booklet including poetry, prose, art, the like.

Coeditors include Deanne Quarrie, D.Min., Helen Hye-Sook Hwang, Ph.D.

I am the source, I dream the dreams, I am the spark, Creation lives in me. Jana Runnalls, The Source, Speaking in Tongues

Using She Rises Volume 1 and Volume 2 as a springboard, the collective writing project of She Rises Volume 3 aspires to interweave new patterns in the tapestry of Goddess feminist activism. She Rises Volume 3 invites possible contributors by asking the questions: What do you envision for Goddess Feminism, Activism, and Spirituality? What is Goddess Feminism, Activism, and Spirituality for you? What do you seek from Goddess Feminism, Activism, and Spirituality? What are our practices that will bring more Goddess Feminism, Activism, and Spirituality into the world?

You may like to engineer the question on your behalf or answer it for us all. Here are some examples of the question: “What keeps me continuing in Goddess Feminism, Activism, and Spirituality?” or “What does Goddess Feminism, Activism, and Spirituality mean to me?”

The first volume evolved around stating/proclaiming the rational or cause of our Goddessian/Magoist commitment by answering the question, “Why Goddess Feminism, Activism, and Spirituality?” and the second volume took a step further to ask the “How?” question, “How… Goddess Feminism, Activism, and Spirituality?”

It is our hope that the question “What?” potentially produces a record number of ways we engage in Goddess Feminism, Activism and Spirituality. We foresee the possibility that She Rises Volume 3 may become a guidebook of the common cause for Goddess feminists and activists.

She Rises, Volume One, asked WHY? and 93 contributors answered the question with depth, honesty, insight, creativity, imagination, and inspiration. She Rises, Volume Two, asked How? and 96 contributors answered the question with depth, honesty, insight, creativity, imagination, and inspiration.

Now we are asking What? Your answers will offer:

a guidebook for those beginning their journey with Goddess feminism, activism, and spirituality,
a confirmation for those already engaged with Goddess feminism, activism, and spirituality,
another thread in the tapestry of Goddess feminism, activism, and spirituality that is being woven by women and men all over the World.

Let’s weave a tapestry of answers! Are you interested?

To be part of this weaving, please send your contribution to both emails (please indicate “She Rises Volume 3” in the subject line) See submission form and guidelines below:

Deanne Quarrie – deanne.quarrie@outlook.com

Helen Hwang – magoism@gmail.com

Primary Deadline: January 31, 2018

Submission details:

Short writing – up to 200 words

Longer essays – up to 4,000 words

Research papers – 4,000-12,000 words,

Poetry – any length (please indicate formatting)

Art, photography, illustrations – any form, which may be accompanied by a descriptive paragraph attached as a separate Word file

Please include a brief bio of no more than 100 words at the end of your Word document.

Text: As attachment of Word files (.doc or.docx)

Font: Garamond or Times New Roman (12 font size, 1 spaced)