Spirituality – Page 28 – Feminism and Religion

The Quiet Voice of the Frame Drum by Oxana Poberejnaia

Layne Redmond passed away on 28 October 2013. Days before her death I received by post her signature Lotus Tambourine which Layne developed with Remo, manufacturer of world frame drums. Remo posted a tribute to her on her page as a Remo artist. Percussive Arts Society published an In Memoriam of her, along with the link to an article by Layne Redmond “Frame Drums and History”. Facebook and especially Women Frame Drumming page exploded with expressions of gratitude, sympathy and testimonials of how Layne changed people’s lives. Here is an account of Layne’s last summer by a person who supported her in her end-of-life transition.

Layne Redmond was intensely busy with two projects during this time: completing her film about drumming spiritual practices to dream awake Afro-Brazilian Gods and Goddesses, and preparing her seminal book When The Drummers Were Women for re-printing with new materials and photos. She put out appeals for both projects, including on Karen Tate’s show “The Voices of the Sacred Feminine” in June 2013, and people helped with their money and time.

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“THE DIVINE MYSTERY”? by Carol P. Christ

“The mystery of God in feminist theological discourse” is the subtitle of Elizabeth Johnson’s widely read She Who Is. The notion that God is “a mystery” is rarely questioned in feminist theologies. But maybe it should be.

Although it is true that the finite cannot encompass the infinite, and that all knowledge is rooted in particular standpoints, I do not agree that the first and last thing to be said about the divine power is that it is “a mystery.” Indeed as I will argue here, speaking about God as “a mystery” obscures more than it “reveals.”

The notion that Goddess or God is “a mystery” is rooted in notions of “a God out there” that most spiritual feminists reject. Goddess or God “in” the world is, I suggest, not unknown, but known, not hidden, but revealed–in the beauty of the world and in ordinary acts of love and generosity.

The notion that God is “a mystery” is a well-worn trope in Roman Catholic theology. Protestants make similar claims when they speak of the hiddenness of God Continue reading ““THE DIVINE MYSTERY”? by Carol P. Christ”

Painting Dorothy Day by Angela Yarber

Radical Revolutionary. One with the workers. Daily works of mercy. One who challenged the status quo. She never wanted to be called a saint, though the Claretian Missionaries proposed that she be canonized in 1983. The Catholic Church calls her a “Servant of God.” I call her a Holy Woman Icon. She joins the myriad other Holy Woman Icons with a folk feminist twist that I feature each month: Virginia Woolf , the Shulamite, Mary Daly, Baby Suggs, Pachamama and Gaia, Frida Kahlo, Salome, Guadalupe and Mary, Fatima, Sojourner Truth, Saraswati, Jarena Lee, Isadora Duncan, Miriam, Lilith, Georgia O’Keeffe, Guanyin.

Born on November 8, 1897 Dorothy Day’s radical spirit, her development of the Catholic Worker Movement, and her solidarity with the poor have taught countless women what it means to be a revolutionary. This American anarchist and activist converted to Catholicism as an adult after living what many describe as a bohemian lifestyle. She advocated the Catholic economic theory of distributism, daily works of mercy, pacifism, and solidarity with the poor. Continue reading “Painting Dorothy Day by Angela Yarber”

Fand – Goddess of the Sea – a Shapeshifter for Samhain by Judith Shaw

Fand is a Celtic Sea Goddess whom some scholars believe originated as a Manx sea deity (the original inhabitants of the Isle of Man). With time She became the most loved of Ireland’s fairy queens, called “Queen of the Fairies. Fand, meaning “Pearl of Beauty” or “Tear” was stunningly beautiful. Though she was married to the Celtic Irish Sea God, Manannan Mac Lir, She, like other faery queens, fell in love with and then enchanted a mortal man, linking our world with Her Otherworld. Being the Goddess/Faery Queen she was, Fand fell in love not with any common man but with Cuchulainn, the greatest Irish hero.

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Entering Winter, the Season of Darkness by Barbara Ardinger

Halloween used to be spelled “-e’en,” with the apostrophe replacing the V in “eve.” The N was probably added so the word ends in a consonant and we don’t have “hallow-wheee.” But people get lazy, and since the late 20^th century, both the V and “eve” have disappeared. This holy day is the true beginning of winter. In pre-Christian Europe, it was celebrated by the wild Celts, who called October 31 Samhain (pronounced approximately SOW-un). Today it’s a major sabbat, or holy day, celebrated by most modern pagans. Although religious fundamentalists keep trying to convince us that Halloween is an evil pagan festival (emphasis on the evilness of pagans) and pressuring retailers not to sell little collectable witches, the name of this day is in fact Christian: it’s Hallowed (or Holy) Evening, or the Eve of Holy Days. In the olden days and still today in, for example, the Jewish calendar, a holy day begins when the moon rises on the evening before. October 31 precedes All Saints Day (November 1) and All Souls Day (November 2). Like Christmas Eve, it’s a holy (but seldom silent) night.

All Saints Day, the Catholic Encyclopedia informs us, was instituted in the fourth century when dioceses began to divide up and exchange the relics of martyr-saints. At first, only martyrs and St. John the Baptist were recognized, but in 609 Pope Boniface IV consecrated the Pantheon in Rome to the Blessed Virgin and all martyr-saints. The theological basis for All Souls Day is the doctrine that “souls that have not been perfectly cleansed from venial sin are debarred from the Beatific Vision.” With prayers, the living can help the dead pass through purgatory. To commemorate “the faithful departed,” the Catholic Encyclopedia further tells us, the priest recites the Office of the Dead and celebrates a Requiem Mass. The vigil for All Saints, or Hallows Eve, was also first celebrated in the fourth century. The Mexican version of this holiday is Día de los Muertos, which is also celebrated on November 1 and 2. That’s when we see the wonderful costumed skeleton figures and the sugar skulls. Like similar festivals in cultures around the globe, this is a celebration of family and ancestors.

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IS THE SPIRIT OF GREAT GENEROSITY IN CRETE A SURVIVAL OF ANCIENT MATRIARCHAL VALUES? by Carol P. Christ

At a coffee shop in Agios Thomas, Crete last month a perfect stranger offered to pay for the coffees and sodas of the 16 women on the Goddess Pilgrimage to Crete. This spirit of great generosity is rarely experienced in the United States or other parts of Europe, but it is still common in rural Crete and some parts of Greece.

In fact our group was in Agios Thomas because our bus driver Babis, also in a spirit of great generosity, insisted on stopping to show us his village when we were passing nearby. He guided us to see Roman rock cut tombs and arranged for the early Byzantine church to be opened. At the end of the our pilgrimage, Babis stopped the bus at a wooded glen beside a small church where he offered us his own homemake raki, wine, and olives, accompanied by local sheep cheese he had purchased while we were climbing a mountain. After every meal that we ate in local tavernas, we were offered bottles of cold raki, fruit, and sweets.

This spirit of great generosity has long been commented on by travelers in Greece, who often speak of it as unexpected (for them) hospitality to the stranger or traveler. That it is, of course. Through the work of Heidi Goettner-Abendroth, I now understand that the famous Greek hospitality to the stranger has deep roots in matriarchal cultures. According to Goettner-Abendroth, equality of wealth is assured through the widely-practiced custom of gift-giving in matriarchal cultures. Continue reading “IS THE SPIRIT OF GREAT GENEROSITY IN CRETE A SURVIVAL OF ANCIENT MATRIARCHAL VALUES? by Carol P. Christ”

Painting Holy Women By Angela Yarber

Each month, I focus on one of my Holy Woman Icons with a folk feminist twist, highlighting the often unsung stories of feminism’s heroines: Virginia Woolf , the Shulamite, Mary Daly, Baby Suggs, Pachamama and Gaia, Frida Kahlo, Salome, Guadalupe and Mary, Fatima, Sojourner Truth, Saraswati, Jarena Lee, Isadora Duncan, Miriam, Lilith, Georgia O’Keeffe, Guanyin, and many others who will be featured in the months to come. While some of these holy women may not be incredibly famous to the wider public, most of their names and stories are familiar to the readers of Feminism and Religion. They are goddesses, saints, artists, dancers, scholars, clergy, and pillars of the faith. We tell their stories in our classrooms. Their stories embolden us to stand tall, stay strong, and continue working for justice and equality. But what of the women whose songs really are unsung, whose stories never grace the pages of our textbooks? What about the women who have, indeed, emboldened us, paved the way for us to be who we are, but who our readers have never heard of? This month I would like to focus on one of these women. You’ve probably never heard her name, but I know her very well. It is her courage that has given me strength, her compassion that has taught me to love. Her name is Mary Harrell and she is my mother.

In her seminal work that highlights the importance of telling women’s stories, FAR’s own Carol Christ begins by saying:

Women’s stories have not been told. And without stories there is no articulation of experience. Without stories a woman is lost when she comes to make the important decisions of her life. She does not learn to value her struggles, to celebrate her strengths, to comprehend her pain. Without stories she cannot understand herself. Without stories she is alienated from those experiences of self and world that have been called spiritual or religious. She is closed in silence. The expression of women’s spiritual quest is integrally related to the telling of women’s stories. If women’s stories are not told, the depth of women’s souls will not be known. (Carol Christ, Diving Deep and Surfacing: Women Writers on Spiritual Quest. Boston: Beacon Press, 1980) Continue reading “Painting Holy Women By Angela Yarber”

Birth Song, Life Song, Death Song by Molly

“A woman can spin a primal umbilical rope within her womb through which she passes life-energy to the future.” –Melissa Raphael

“In some indigenous cultures of the Americas there is the practice of finding one’s death song while alive. This song becomes the ally of the person throughout their lives, so that they become very acquainted with what the song means in their lifetime. Death then, is a companion of life, and is never forgotten. In the hour of death, these people would, if they were able to, sing their death song–exiting this world with song on their lips and no doubt feeling the power their ally-song had gathered by being with them in their life. I can see that a death song would provide a connection between the person and the cycles of life, guiding the dying person into the next world and helping to allay fear…” –Leslene della-Madre, Midwifing Death

I was introduced to blessingways, or mother blessing ceremonies, as a girl when my mother’s group of friends hosted them for each other during their pregnancies. I loved attending the ceremonies for my mom during her pregnancies with my younger brother and sister and witnessing the web of love, support, and commitment woven around her. They touched me deeply with their sacred, magical, and mysterious flavor. When I was twelve, the same group of friends had a coming of age blessingway ritual for the daughters of the group, ranging in age from 10-16. It was a mystical, beautiful experience. We wore wreaths of flowers in our hair and were blessed with wisdom and tokens from the wise women of our tribe. At 34 years old now, I still have my folder of prayers, quotes, and messages from that day. For years it smelled faintly of rose petals.

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Truly Our Sister by Laura Grimes

Miriam of Nazareth, the fiery and courageous Jewish prophet who single-handedly enabled the incarnation of God/dess, is a profoundly ambivalent figure for Catholic feminists. Her racist and patriarchal deformation as a sexless European Barbie has often been used to club and control other women. Yet she refuses to be silenced or appropriated by oppressors, carrying the lost image of God/dess through the centuries and empowering women to know the sacredness of their own physical and spiritual life–giving labors in Her image. I composed this hymn to celebrate the feast of the brown and pregnant Guadalupe/Tonantzin, and to mark the Marian feastdays of the Assumption (Aug. 15) and Queenship of Mary (August 22). It reflects a long journey of exorcising the false misogynist Mary from my own mind and heart and claiming her as role model and mentor in my own call as thealogian, mother of four, and spiritual director. It may be used in ritual or republished with the inclusion of author and copyright information (Laura M. Grimes, copyright 2010).

Image from: http://www.fisheaters.com/images/marialactans160020.jpg

My original inspiration, after the birth of my younger daughter, was the traditional Litany of Loreto. I came to love its eloquent images when I was studying in Rome and prayed it daily with the old Italian women who had the last liturgical word by leading it, in Latin and from memory, after each day’s mass. It also includes key scriptural passages about Mary and many of the traditional mysteries of the rosary. But the work’s gestation was incomplete until I became involved in an interfaith women’s spirituality church, the Goddess Temple of Orange County, and encountered the fourfold Goddess for the first time. Rev. Ava Park, Presiding Priestess, has been a leader in the recent movement to add the missing image of the wise and loving Queen to the traditional Maiden, Mother, and Crone as a celebration of midlife and a model for women’s leadership. The second through fifth verses of the hymn highlight Mary’s experience in each stage of women’s life and affirm every woman’s power and beauty as an icon of these four aspects of the Divine. The title will be recognized by many as a reference to Elizabeth Johnson’s groundbreaking book on Mary—criticized by traditionalists for a cover depicting her scripturally as the mother of a large family!
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Balance and the Autumn Equinox by Deanne Quarrie

We are in the season of the Autumn Equinox. The Autumn Equinox occurs on a specific day each year, as does the Spring Equinox. While it may be a precise moment in time, it is also a season. Nothing happens quickly in time and space. Without getting scientific as an explanation of what happens at both, here is a quick one – the name ‘equinox’ comes from the Latin aequus, meaning equal and nox, meaning night. Earth’s two hemispheres are receiving the sun’s rays equally at the equinoxes. This causes night and day to be approximately equal in length. Continue reading “Balance and the Autumn Equinox by Deanne Quarrie”