Last summer I began a deep inquiry of Gaudiya/Bengali Vaishnava culture. That inquiry had its origins in a dream I had two years prior where Radha and Krishna appeared in the form of miniature clay figurines. Krishna went missing and Radha asked me to help find him like how she implores her sakhis/friends in much Vaishnava literature. Seeing deities in that manner, as I know in some aspects of Bengali culture, is a big deal. It usually signifies some spiritual connection to those deities. I wrote the dream down because of how vividly I saw it but brushed off as anything significant to me personally though the dream sparked my inquiry.
I had gotten some great information from an academic I met at the American Academy of Religion conference in 2015 who recommended I start with an ethnographic study, The Place of Devotion (Open source by UC Press), published that year by scholar Sukanya Sarbadhikary on the diversity of Bengali Vaishnavism. That was my start of my spiritual-academic journey of understanding Bengali Vaishnavism, but it has taken a while for me, through a lot of counseling, to get mentally and emotionally stable before I could start processing and analyzing all the information I’ve been collecting on this topic. I’m not going to divulge on the details about this in depth, but I can say it is connected to the politics of religious purity found across South Asian Muslim and Hindu communities which is exacerbated by non-Muslims and Hindus who can’t comprehend, for lack of a better word, folk religion or religious syncretism apart from the framework of dual religious identity through intermarriages and the term “multiple religious belonging.” But even those terms are not readily ascribed to non-white bodies.
Continue reading “My Connection to Bengali Vaishnavism by Nazia Islam”
There are quite a few post-apocalyptic shows out these days. 
The last young adult fantasy book series 
Even though I encountered wisdom literature when specializing in Hinduism during my Religious Studies doctoral program, through reading the works of Christian female mystics and the liberation theologies of feminist spiritual guides, it took a book I never encountered in my academic studies to give me a spiritual foundation that feels complete after my departure from Christianity: Eckhart Tolle’s 
Journeying into the worlds of young adult fantasy enters another dimension with the second series I will be looking at: Laini Taylor’s series Daughter of Smoke and Bone. The series premiered in 2011 and contains three books. Both Daughter of Smoke and Bone and the second book, Days of Blood and Starlight (2012) were on the lists of “Best Teen Book” for Amazon and the New York Times. The first book has already been sent into movie production. This series explores ideas surrounding good versus evil, tolerance, fear, grief, violence, and redemption. 
As per my last month’s FAR 
Young Adult Fantasy provides a new realm for exploring feminism and religion. It provides an avenue to which female characters can achieve and influence change. What is Young Adult Fantasy within literature? YA fantasy is a sub-genre of Young Adult Fiction, which is a category of literature whose audience can range from 12-18 years. Recently studies and publishing houses believe that now, YA can consist of an audience from 12-45. The majority of YA readers are female. Interestingly enough, females also are the majority of authors. It is a booming enterprise. 
Feminism and Religion 