In celebration of Women’s History Month, the Holy Women Icons Project is excited to launch Revolutionary Girls, a new program seeking to empower marginalized adolescent girls by telling the stories of revolutionary women through art, writing, and discussion. Partnering with local schools and other non-profit organizations in the Puna District of Hawai’i County, we are creating a curriculum that features often overlooked historical and mythological women whose lives, legends, and legacies embody empowerment, resilience, and emotional intelligence that can embolden adolescent girls to become socially aware revolutionary leaders.
Research shows that girls’ self-esteem plummets in early adolescence, due in part to unrealistic body images in media and casual (or even overt) sexism from parents, teachers, and peers. Our Revolutionary Girls project aims to counter these negative influences by offering girls aged 11-15 a space of empowerment. Prior to adolescence, many girls believe they are as smart, strong, and capable of leadership as boys. At the onset of puberty, girls are often taught that their only value is in their appearance, and that they are not as capable or valuable as men and boys. Simultaneously, girls are exposed primarily to the histories and myths of men in power while in the classroom, the revolutionary lives, legends, and legacies of countless revolutionary women altogether absent from their textbooks and lessons. Continue reading “Women’s History Month: Painting and Empowering Adolescent Girls by Angela Yarber”



I have recently read a couple of articles in the Chronicle of Higher Education about the challenge of working in academia. One article lamented the paucity of tenure line positions and the great disappointment some ex-academics feel when they finally give up searching for that elusive job, which is actually non-existent. Another article reported on the sham interview experience, in which a national search is conducted, but the whole thing is a ruse since an internal candidate already has the position. Hopeful candidates put their families and lives on hold as they bide months of time while thinking, completely ignorant of the reality of situation, that they may be in line for a new position. They get letters of reference, prepare for interviews, buy suits, arrange childcare, manage time away from whatever they would otherwise be doing to make an interview, and then endure the emotional trial of waiting.
I wake up each morning in a simple bedroom lit by the rising sun: a wardrobe, a bookshelf, a small wooden table, and a chair, arranged on painted plank floors. Just outside the window behind my head are the tallest trees I have ever seen, their grey-brown trunks growing straight up into a sky I cannot quite make out from my warm bed, with its white cotton sheets, white coverlet, and cozy down comforter. The room’s soft yellow walls reflect and amplify the winter light. Part of me wants to luxuriate, to lie here for hours, feeling the sun on my face as I gaze up at the trees and allow my consciousness slowly to return from dreams.
Sometimes life hurts. Sometimes we make mistakes. Sometimes we dive deeply into darkness. Sometimes we fall.
…and Ella can’t remember the last real meal she had. After supper with the refugees in the witch’s house, she and the witch put their heads together to begin making significant plans. She’s also been meeting all the refugees who now live on the witch’s farm. She knows first-hand why these people fled the capital and the other cities. “Oh, lordy, yes,” she says. “I used to know all the important people. My dear sisters and I went to all the big events, ate the finest cuisine—” suddenly remembering where she is, she looks down at the table “—oh, dear, but I don’t mean to criticize your cuisine.”

