In the past month I have been on a spiritual journey seeking my German ancestors. Six of my 2x great-grandparents were born in Germany, which means I am 37 ½ percent German. Growing up, I was subjected to a form of patriarchal family disciple I came to identify as German, but I was told very little, positive or negative, about my German heritage.
Though I had been researching my family tree for five years when I began my trip to Germany, I had no clue about where in Bavaria the Thomas Christ-Anna Maria Hemmerlein branch of my family originated. While making final preparations before the trip, I learned that German church records are no longer kept in individual churches, but are grouped together in church archives. Some areas also have family records in state archives. Contrary to popular belief, the majority of German records were not destroyed in the two World Wars. However, many of the German records are not online. Continue reading “Finding Bavarian Ancestors by Carol P. Christ”
In 1985, four months before I was supposed to graduate from high school, I awoke one morning, made a hasty decision to escape my harsh reality, and by the end of the day, I was a high school drop-out.
Even now, with a BA from Wellesley College and two theological master’s degrees, I have a difficult time admitting I dropped out of high school. It’s not necessarily because I am embarrassed, but more, it is because it reminds me of that very painful time in my life.
My journey is, I am aware, different, to say the least. However, as I rummage through my past, I am always reminded that I didn’t get here alone. No, indeed, there were many beautiful souls that helped me get to where I am today.
In all the work and conversations I have had with women around the world – women in the Slums of Mumbai, domestic violence survivors, rape victims, women that have experienced war and trauma, incest survivors – I am always reminded of one thing – women are all born with strength, beauty, hope, and a future. Somewhere along the way, for many of us, things change, and the sad reality is that things change because of where we are born, or our educational opportunities, or our social class, or our race, or our religion, or our place in the family, or mental illness, or abuse, and so on. I think a lot of times things change for women, simply because we are women. Continue reading “I Am a High School Drop-Out by Karen Leslie Hernandez”
If you ever eavesdrop on a conversation between my husband and me around the clamor of our four children’s voices, you will probably hear me making a tired lament: “All I want is a broad swath of uninterrupted time.” In listening to Elizabeth Gilbert’s newest book, Big Magic, on audio book I was interested by her mention that many creative people lament not having long stretches of uninterrupted time available in which to work. She quotes a letter from Herman Melville to Nathaniel Hawthorne, lamenting his lack of time and how he is always pulled “hither and thither by circumstances.” Melville said that he longed for a wide-open stretch of time in which to write. She says he called it, “the calm, the coolness, the silent grass-growing mood in which a man ought always to compose.”
…I do not know of any artist (successful or unsuccessful, amateur or pro) who does not long for that kind of time. I do not know of any creative soul who does not dream of calm, cool, grass-growing days in which to work with- out interruption. Somehow, though, nobody ever seems to achieve it. Or if they do achieve it (through a grant, for in- stance, or a friend’s generosity, or an artist’s residency), that idyll is just temporary—and then life will inevitably rush back in. Even the most successful creative people I know complain that they never seem to get all the hours they need in order to engage in dreamy, pressure-free, creative exploration. Reality’s demands are constantly pounding on the door and disturbing them. On some other planet, in some other lifetime, perhaps that sort of peaceful Edenic work environment does exist, but it rarely exists here on earth. Melville never got that kind of environment, for instance. But he still somehow managed to write Moby-Dick, anyhow.
When I create a new sculpture, I am most often creating something that I need to remember or want to learn. The original figures for my Centered Mama sculpture and my Meditation Goddess sculpture were both created while at a friend’s house for a weekend work exchange as my baby toddled around. While I love making figures of mothers and babies, I was feeling a strong urge to make a goddess representation complete unto herself. It felt like a reclaiming of my non-maternal identity and a declaration of self-sovereignty. She turned out a little bigger than some of my other figures, strong and secure and independent. Then, the baby crawled over and knocked off one of her breasts, knocked her over on the tray, smashing the side of her head. I came close to crying. I felt annoyed with my husband who’d “let” him come over and destroy my work rather than noticing him doing it and stopping him. I was frustrated, dismayed, and my feelings felt hurt in a sense. First I felt like, Argh! This is a metaphor for life! And, then I realized it was not just a metaphor for life, it is my actual life! I pouted a bit and said I was just going to smash her and give up and I made some bitter faces at my husband and some long-suffering huffs and signs, but then the baby fell asleep in the Ergo, held close against my chest. I kissed his soft hair and I took my clay and started again. I reclaimed her from the smashed parts and she sat stronger and taller than ever.
She reminds me not to give up and that beautiful work can come from struggle, but also of interdependence (not just the independence I was going for!), co-creation, and tenacity. When the finished version of her, cast from the original sculpt, sits by my bed at night or overlooks my dinner preparations, she reminds me that I am strong and that persistence is worthwhile. She also tries to remind me to be calm and steady, centered and Zen, even though I more often feel like a whirlwind.
That same Saturday at my friend’s house, as my baby tentatively toddled around the kitchen, chewed on a piece of watermelon, and snoozed on my chest, I felt moved to begin creating a new Centered Mama sculpture. I had been going through an emotional rough patch, feeling buffeted by variable emotions and erratic and unpredictable in my enthusiasm and confidence. I was also feeling impatient, snappy, and irritable.
“I will be gentle with myself. I will be tender with my heart. I will hold my heart like a newborn baby child.”
This song by Karen Drucker replayed in my mind as I sculpted. The baby woke, the watermelon got dragged along the floor collecting dust, and it was time for our collaborative dinner, so I had to put her away unfinished. When we got back to our own home, I was compelled to finish her, working feverishly as the baby pulled on my legs and I said, “just a few more minutes!” to the older kids who were trying to play with him to let me work. Again and again I re-rolled the clay baby’s head, trying to make it “perfect,” and worked to lay down the strands of her hair, against of the backdrop of this often-chaotic, noisy, home-based life we’ve consciously and intentionally created together. She was created to represent holding my own center in the midst of motherhood. I will be tender with my heart. I don’t create sculptures like this because I AM so “Zen” and have life all figured out, I make them to remind me what is possible if I listen to my soul.
As I do extensive rearranging, construction, and reconstruction on my slowly ongoing dissertation project, I typed out a quote from the book Priestess: Woman as Sacred Celebrant by Pamela Eakins about her past life memories of making clay goddess figures as a temple priestess:
…to me it brought a continuation of the energy of the sacred objects of the grandmothers. I contained this energy in a new form in the dolls that would be placed upon the altars and in the graves of the daughters living now and the daughters to come…
I felt this process made my own clay stronger, too. Some of the pieces cracked in the fire because of the added ‘impurities’…but, in this case, I felt the impurities were the purest of pure and I worshipped each crack knowing the crack contained the wisdom of the priestesses who had occupied the doll-making table for more moons than I could even imagine. It contained too, the devotional energy of every grandmother who had held it in her hands or placed it on her altar. Sometimes ‘impurities’ sanctify further that which is holy to begin with.
While I tend to have a knee-jerk skepticism about past-life memories, there is something in Eakins’ words that I know at a bone-deep level as I do my own work with goddesscraft:
…Each goddess was imprinted with the sound of sacred life coursing through the Universe. I changed with the priestesses as the figures came through my hands. Each doll received the sacred vibration of life…For seventy-seven moons I made the dolls at the long table with the young Sisters of Nun. My hands were so fast. I made thousands of figures: beautiful little faces, etched collars of gold plates, pubic hair swirled into tiny rows of connecting spirals. They were so precious. At the end of the day, my baked clay shelves were covered with little women.
The clay goddesses healed…
This is how I apprenticed. I learned, in this manner, the art of healing. I learned that to heal means to make whole, and that becoming whole involves learning many levels of purification, balance, and reformation” (p. 32-33).
In Anne Key’s marvelous priestess memoir, Desert Priestess, she makes this important point: “It is of course no small wonder why graven images are so tightly controlled by religious traditions.” (p. 52) Sometimes I feel like this is what I’m tapping into when I make my own goddess sculptures—a resistance to tight control over graven images and over personalization of divinity as male.
I occasionally get requests to make bigger goddesses–-people ask about figures that are large altar pieces 12-18 inches tall or taller. The goddesses I make are all about three inches tall and there’s a reason for that: they fit in the palm of my hand. When I create them, I feel as if I’m part of an unbroken lineage stretching back 30,000 years to the person who carved the Goddess of Willendorf. I feel connected to the priestesses of the Mesopotamian temples who sculpted hundreds upon hundreds of tiny clay goddesses. Someone commented on my sculptures once saying, “echoes of Mesopotamia.” And, I said, “exactly.” I feel the connection between the clay in my hand and the clay in their hands, running through the ripples and eddies of time.
I’ve been inspired recently to re-read Starhawk’s The Spiral Dance, finding new bits of wisdom from it that speak to something different in me than they did the first time I read it. She writes of the attempts to discredit Goddess religion by invalidating the historical narratives or archaeological evidence: “The idea seems to be that if they can disprove our origin story, they can invalidate our spirituality…Is Buddhism invalid if we cannot find archaeological evidence of Buddha’s existence? Are Christ’s teachings unimportant if we cannot find his birth certificate or death warrant?…the truth of our experience is valid whether it has roots thousands of years old or thirty minutes old…a mythic truth whose proof is shown not through references and footnotes but in the way it engages strong emotions, mobilizes deep life energies, and gives us a sense of history, purpose, and place in the world. What gives the Goddess tradition validity is how it works for us now, in the moment, not whether or not someone else worshipped this particular image in the past” (p. 4).
The ancestry of my goddess sculptures may not be the same energy that raised temples and built monuments (or walls), it is the energy that carried a baby on one hip and a basket of supplies on the other and needed a goddess just the right size to tuck down the front of a shirt…
Sometimes I describe my life in the woods as being held in the hand of the goddess. And, I make goddesses that I hold in my hand. Am I in the palm of her hand or is she in the palm of mine? The answer is both.
(One of my all-time favorite fan photos–a rainy day traveling goddess picture, taken by my friend/SIL (this one is only an inch tall, but look how she calls in the waters of the world!)
Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri. She is an priestess who holds MSW and M.Div degrees and she is finishing her dissertation about contemporary priestessing in the U.S. Molly’s roots are in birth work and in domestic violence activism. She has worked with groups of women since 1996 and teaches college courses in group dynamics and human services. Molly is the author of Womanrunes: a guide to their use and interpretation, Earthprayer, Birthprayer, Lifeprayer, Womanprayer, and The Red Tent Resource Kit, as well as three social service oriented booklets and a miscarriage memoir. She has maintained her Talk Birth blog since 2007 and writes about thealogy, nature, practical priestessing, and the goddess at her Woodspriestess blog. Molly and her husband Mark co-create original birth art, goddess sculptures, ceremony kits, and pendants at Brigid’s Grove.
The trappings of motherhood are all too powerful reminders that, as Catherine Keller reminds us in her book From a Broken Web, mother goddesses have to be continually slain for patriarchal heroes to be born. Indeed, she suggests that conceptions of Western selfhood are based upon this symbolic matricide—so it is no wonder that breast milk might be considered abject…
Once upon time formula companies and complicit medical experts launched a serious campaign to sell more formula, telling a generation of mothers that this product was both superior to breast milk and far better for baby and mother. Some were convinced, others found formula a good alternative to breast milk given their employment status, hormonal changes, their particular baby’s needs,personal choice, difficulty producing their own milk, or the like; and still others chose to breastfeed despite criticism, like my mother-in-law, who received scorn and derision from medical personnel as the only breastfeeding mother in the hospital in which she gave birth in 1970.
Despite this effort, science has finally “proven” that breast milk, when it is possible to give it, is better for your child than synthesized alternatives. Wow. Well, the politics of believability aside, women in the U.S. are now encouraged to trust their own bodies to feed their babies and give the breast a try. In fact, every new book, article, website and internet forum, birthing class teacher and hospital nurse will tell you that “breast is best,” repeatedly, for months, asking you about your breastfeeding plan, and urging you to keep trying until you and baby get it right. A counter-campaign, this vigorous encouragement is working to undo the attitudinal changes within popular culture that placed a stigma on the breastfeeding woman. Continue reading “Breastfeeding and the Abject? by Sara Frykenberg”
Remembering to be thankful may just be a privileged illusion that individuals in positions of power get to write about in the December of each year to self-congratulate themselves about being actually able to be able to be thankful. It may just seem like people who write about being thankful are complaining or pontificating that being thankful is in itself a chore.
With the holidays just around the corner and the frazzled, crisp ping of anxiety, rush, and panic take over the air around us, it is easy to forget to stop and “smell the roses.” In times where teaching positions continue to shrink and more universities switch to adjunct labor, fees and class costs continue to rise, or just simply life becomes a little more complicated, due to the nature of balancing life, activism, work, friendships, or relationships, remembering to remind myself to be thankful is another task, I find adding to the never-ending list of stuff I always seem I have to do.
However, remembering to be thankful, scheduling it into one’s daily schedule are vital to our success as new and emerging faculty or activists or just in general because being thankful reminds us that we have aspects of our lives that are worth being thankful for. Remembering to be thankful proves that we are in some way, connected to a larger sense of life that, at times, grants our wishes, wants, or desires, brings us despair, and then allows us to get through it, or even makes us feel alive.
As I sit back and look at the personal and professional landscape around me I understand that I have a lot to be thankful for both consciously and unconsciously. Most recently at AAR, I participated on a panel in response to Bernadette Barton’s Pray the Gay Away. During the course of our panel, the conversation of chosen vs. biological families came up. Most recently, my mentor and panel moderator, Dr. Marie Cartier, talked about the same topic here on FAR and the difficulties many of us experience in regards to our chosen families vs. our biological families. With the holiday season all around us, and regardless of what or if, you celebrate it or not, it is quite hard to get away from it all without realizing who your “family” is and whether or not you’re close or connected with them can be traumatizing during these times where we’re taught or expected to be with them.
After our discussion on the panel and then at the hotel bar, people discussed the pains and traumas in relation to not having a biological family to go home to during the holidays. Sitting there and listening to the conversations, I realized that, for once in my life, I had nothing to say. Continue reading “Remembering to Be Thankful by John Erickson”
As a maternal health advocate, I cherish the season of Advent as an opportunity to connect a beloved Christian story to the lives of women today who struggle to bring new life into the world under horrific circumstances. Every year I write something about Mary’s pregnancy and birth. In many ways she is no different from the “Marys” around the world who are young, poor, and unexpectedly pregnant, and who go on to give birth in unclean environments. I often pose the question to communities of faith, wasn’t the Christmas miracle equally that Mary survived the birth? How different would Jesus’s life have been if he’d never known his mother?
I continue asking these questions, but after my daughter was born last October, I have found my Advent reflections shifting to mirror my own parenting experiences. I began to think beyond Mary’s birth and into her early months of motherhood. One morning last December, after a particularly awful night’s sleep, I came downstairs to hear “Away in a Manger” playing on the radio. When it got to the line “But little Lord Jesus/No crying he makes,” I rolled my eyes dramatically and pictured Mary doing the same as she bounced a screaming baby Jesus in her arms. Continue reading “What If Jesus Had Gone to Daycare? by Katey Zeh”
“I was born in a strange little country town that may be like all other country towns, but I do not know. It was the world I was born to. The world is such a place that you need special things to understand it. I do not think I am a fool, but I do not understand life. It is like I am always standing in the dark somewhere. It could be on the edge of a cliff by a deep ravine… Or on a flat piece of all the land in the world… and I would not know. I would not know whether to step stand still. Either one could be a danger… When I am alone. Some lives are like that. Depending on the kindness of everybody.”
-from “Feeling for Life “ in Some Soul to Keep by J. California Cooper
In my previous post, I wrote about the truths we learn from black women’s literary tradition and from listening to the stories of those we too often ignore. Continuing that reflection over the next few months, I’d like to share some of the lessons from J. California Cooper’s short stories. The quote above is taken from the opening paragraph of one of her works.
“The tools are unimportant; we have all we need to make magic: our bodies, our breath, our voices, each other.”
–Starhawk
As November drew to a rainy close, we had a small family full moon ritual on our back deck and incorporated a simple gratitude ritual into it. The sky was overcast so we couldn’t actually see the moon, but my four-year-old daughter wanted to get out glow sticks left over from Halloween. We had so much fun dancing around with them and making patterns together in the dark night. We sang a chant I recently made up:
Hallowed evening
Hallowed night
We dance in the shadows
We offer our light.
We did a simple gratitude practice by placing corn kernels in a jar, one for each thing we are grateful for from the past month. We started out slowly and taking turns and then we sped up and the gratitude offerings came tumbling out, over one another. Even the one-year-old added corn, rapidly yet with great concentration to make it actually go in the jar. We drummed and called out, “We are ALIVE! We are GRATEFUL! We are POWERFUL! We are CREATIVE!” When we finally decided to close our ritual and go back inside, the moon peeked out from behind the clouds to briefly say hello and it felt like a blessing on the magic we’d just created together.
As we went back inside, I felt relaxed, happy, and connected. For being something very simple, not particularly pre-planned, and semi-chaotic, it felt like one of our deepest and most connected personal family rituals. The quote above from Starhawk floated back into my mind and I reflected that when I try “too hard” to get things ready for a perfect ritual, I often end up feeling a disappointed. Sometimes I feel like giving up on holding ceremonies with my children entirely. Last year, as we prepared to walk our Winter Solstice Spiral, the baby had a poopy diaper that extended up his back. I often end up snapping critically at whomever isn’t doing it “right.” My boys make fart jokes. My husband gives long-suffering sighs. Our circle looks more like a lopsided peanut. Our humming together discordant and off-key. As we lie on the ground together on the Spring Equinox to do our “Earth Listening” practice together, the kids wiggle and fight, pushing one another off the blanket and exclaiming in loud voices so no one can hear what we’re listening for. We listen to a shamanic drumming CD, but the only one to reach a trance state is the baby as I pace back and forth with him in a baby carrier. The four year old ends up crying because she doesn’t see anything and she wanted to see something cool. Martyrpriestess emerges to complain that she doesn’t know why she even bothers trying to do nice things for anyone if this is how you’re all going to act.
I recently finished reading Under Her Wings: The Making of a Magdalene, by Nicole Christine. A theme running through the book was the concept of “As Above, So Below and As Within, So Without.” I read this book as part of my research for my dissertation about contemporary priestessing and as I read, I kept thinking, I want to hear from the Mamapriestesses, from the Hearth Priestesses! Where are the other practicing priestesses with children at home? I noticed in Christine’s book that the bulk of her work took place after her children were grown and, to my mind, she also had to distance or separate from her children and her relationships in order to fully embrace her priestess self. I notice in my reading and my research group that many women seem to come to priestess work when the intensive stage of motherhood has passed, or they do not have children. Is there a very good reason why temple priestesses were “virgins” and village wise women were crones? Where does the Mamapriestess fit?
As I read Christine’s book and witnessed her intensive self-exploration, discovery, and personal ceremonies and journeys, I realized that in many ways personal exploration feels like a luxury I don’t have at this point in my parenting life. How do we balance our inner journeys with our outer processes? Christine references having to step aside and be somewhat aloof or unavailable to let inner processes and understandings develop, since our inner journeys may become significantly bogged down in groups by interpersonal relationships, dramas, venting, chatting, and so forth. For me, this distance for inner process exploration isn’t possible in the immersive stage of life as a mother. And, yet, I also know in my bones that I’m not meant to give it up. How does the As Within and the So Without actually work?
I return to our Full Moon gratitude ritual. My oldest son, 12, whose height is rapidly extending into manhood, totes his tiny brother on one hip with practiced ease, offering his own glow stick and helping my little one hold his into the air. He expresses gratitude for the fun he’s been having this month with his new video game and, “I’m grateful for you for doing things like this with us, Mom.”
My second son, 9, my bravest child, crawls willingly into the darkness under the deck to retrieve lost glow sticks, poked purposefully down porch cracks by the one year old. He returns, triumphant, holding the bundle of sticks aloft.
My daughter, nearly five, tips her face back, looking up at me with eyes alight, “I’m glad to be a Goddess Girl!” she calls out…
Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri. She is an ordained priestess who holds MSW and M.Div degrees and she is currently writing her dissertation about contemporary priestessing in the U.S. Molly’s roots are in birth work and in domestic violence activism. She has worked with groups of women since 1996 and teaches college courses in group dynamics and human services. Molly is the author of Womanrunes: a guide to their use and interpretation, Earthprayer, Birthprayer, Lifeprayer, Womanprayer, and The Red Tent Resource Kit. She has maintained her Talk Birth blog since 2007 and writes about thealogy, nature, practical priestessing, and the goddess at her Woodspriestess blog. Molly and her husband Mark co-create original birth art jewelry, figurines, and goddess pendants at Brigid’s Grove.
Note: If you have children at home, I’d love to hear from you about the Mamapriestess topic! If you do not have children by choice, how does this play into your spiritual work? If you do not have children and that is not by choice, how does this play into your spiritual work?
“Human connections are deeply nurtured in the field of shared story.” –Jean Houston
“The universe of made of stories, not of atoms.” –Muriel Rukeyser
This month I went searching for a quote for one of my Red Tent Initiation students. She had shared some powerful reflections about the vulnerability required to reveal our personal stories—there can be a lot of risk, sometimes shame, and more, bound up in our ability to uncover ourselves and speak our truth. What I wanted to communicate with her was the idea that in sharing our stories, including the painful pieces, we free other women to do the same. Our courage to be vulnerable, to be naked, to be flawed, to experiment with ideas, concepts, or ways of being gives permission for other people to do the same.
In 2012, I went to a dancing workshop at Gaea Goddess Gathering. The facilitator mentioned that when facilitating ritual, you have to be willing to look a little ridiculous yourself, have to be willing to risk going a little “over the top” yourself, because in so doing you liberate the other participants—“if she can take that risk and look a little goofy doing so, maybe it is okay for me to do it too.”
After a lot of digging around, I found the quote! I should have known it was from one of my favorite authors and sister FAR blogger, Carol Christ, who said:
“When one woman puts her experiences into words, another woman who has kept silent, afraid of what others will think, can find validation. And when the second woman says aloud, ‘yes, that was my experience too,’ the first woman loses some of her fear.”
This is part of what makes Red Tent Circles so powerful. When women are willing to dig into the questions, activities, and processes, to turn them over, to explore how they work in their own lives…they lose some of the fear and they encourage others to lose their fear too. Continue reading “Story Woman by Molly”
When I was growing up in the 1950s in my Egyptian Jewish immigrant home, each of the High Holidays was imbued with sacredness, thanks largely to my mother’s commitment to a creating a harmonious and memorable gathering of family and friends. Around a long table, covered with an embroidered white cloth and set with sparkling silver and delicately fluted china, she served at each season the festive meal that made manifest for us the presence of the Divine.
My father, an Orthodox man who prayed each morning and went regularly to the local Sephardic synagogue in Brooklyn, privately followed the tenets of his faith. But it was my mother, unconsciously devout, who brought the public rituals of our religion to life. As a child, I longed to be at prayer with my father and was envious of the men and boys who studied and recited the sonorous ancient Hebrew; I did not want to be confined to polishing the silver and setting the table. But today, as an adult, I am grateful for the silent teachings bequeathed to me by my mother. Continue reading “Rosh Hashanah and the Goddess by Joyce Zonana”
In 1985, four months before I was supposed to graduate from high school, I awoke one morning, made a hasty decision to escape my harsh reality, and by the end of the day, I was a high school drop-out.
“If there is one chant in the universe it is to create.”
inches tall or taller. The goddesses I make are all about three inches tall and there’s a reason for that: they fit in the palm of my hand. When I create them, I feel as if I’m part of an unbroken lineage stretching back 30,000 years to the person who carved the Goddess of Willendorf. I feel connected to the priestesses of the Mesopotamian temples who sculpted hundreds upon hundreds of tiny clay goddesses. Someone commented on my sculptures once saying, “
Once upon time formula companies and complicit medical experts launched a serious campaign to sell more formula, telling a generation of mothers that this product was both superior to breast milk and far better for baby and mother. Some were convinced, others found formula a good alternative to breast milk given their employment status, hormonal changes, their particular baby’s needs,personal choice, difficulty producing their own milk, or the like; and still others chose to breastfeed despite criticism, like my mother-in-law, who received scorn and derision from medical personnel as the only breastfeeding mother in the hospital in which she gave birth in 1970.
“Human connections are deeply nurtured in the field of shared story.” –Jean Houston
When I was growing up in the 1950s in my Egyptian Jewish immigrant home, each of the High Holidays was imbued with sacredness, thanks largely to my mother’s commitment to a creating a harmonious and memorable gathering of family and friends. Around a long table, covered with an embroidered white cloth and set with sparkling silver and delicately fluted china, she served at each season the festive meal that made manifest for us the presence of the Divine.
Feminism and Religion 