I don’t do well being cooped up (staying at home) all day and every day. Thankfully the state of Virginia, where I currently live, has kept their parks open during the COVID-19 pandemic. For two months, I intentionally scheduled a “green space” time into my daily routine. Usually I’d hike. Sometimes I’d just sit in the car and look at the natural scenery in front of me.
The James River at Pony Pasture Rapids was my “go-to” place during the pandemic lockdown. In addition to refreshing themselves by the river, people use Pony Pasture as their launching point for a variety of floatation devices, but mostly kayaks, to paddle around the river.
Pleasant Creek Trail is one among many paths along the James River at Pony Pasture. After meandering a half mile or so, I came upon this view. I call this scene “Entering the Emerald Forest.”
Showcasing Richmond, Virginia, in an attractive cityscape. I walked along the floodwall to capture this Richmond skyline.
One day, I went to a local park (Maymont) and stared up at this tree like infants do with their mobiles hanging over their cribs.
Straight, sturdy tree trunk
Spreading its leafy branches
Green shelter in place
Richmond has had a goodly amount of rain this spring. This is the James River after several inches of rain throughout the state.
Even when the rain came, I made it a point to get out of the house, sit in my car, dream a bit, and read from my Kindle for two or three hours.
Had a visitor one day while enjoying the sunshine and breathing in fresh air at Byrd park.
Bench-sitting alone
Cold winds blowing through the trees
Mother Goose visits
Earlier in the spring, I watched the dogwood tree bloom in my front yard.
Amidst clouds and chill
Nature still blooms pink and white
In my damp front yard
One of my favorite days at Pony Pasture Rapids put me in touch with this family.
Blessed be!
In sunnier weather, I’d visit beautiful, old Hollywood Cemetery in Richmond. From the web: “Hollywood Cemetery was designed in 1847 as a “rural” style garden cemetery to escape the grid-like monotony of city cemeteries. Landscape architect, John Notman, specifically left trees and other plants untouched when designing the cemetery’s landscape in order to create a peaceful haven for Richmonders. Today, our 135 acres of valleys and hills are covered with heritage roses, stately trees, and other blooms that live up to the name of a garden cemetery. In 2017, Hollywood Cemetery was named a recognized arboretum with the ArbNet Arboretum Accreditation Program.”
One day I went hunting (and I did have to hunt!) for inscriptions that made me take notice. There’s such a paucity of creative, interesting text on tombstones. Of those I’ve seen so far, Andrea Smith Kauder’s is my favorite. “Neal, Adam and Bryan–I love you very much. I thank everyone for visiting. Now go and be happy.” Andrea died as a relatively young woman—44 years old. I think I would have enjoyed knowing her.
And, I’m moving again! Going to a condominium just three miles down the road from my current address in Richmond, Virginia. Wonder where in the world I will eventually land. I can’t seem to settle down in any one spot. Here I am scrubbing the floor of my new condo in preparation for move-in. My only green space on this day was the green gloves I used to protect my hands during the onerous chore.
My grandmother, Jessie, often told me, “Only way to clean a floor, honey, is to get on your hands and knees and scrub.” Jessie was right. Perhaps a fitting text on my tombstone might reflect the necessity of women’s domestic labor to keep the wheels of society moving.
She cleaned like a fiend
Hoping…yes, always hoping
For a little dirt.
Esther Nelson is an adjunct professor at Virginia Commonwealth University, Richmond, Va. She has taught courses on Human Spirituality, Global Ethics, Christian-Muslim Relations, and Religions of the World, but focuses on her favorite course, Women in Islam. She is the co-author (with Nasr Abu Zaid) of Voice of an Exile: Reflections on Islam and the co-author (with Kristen Swenson) of What is Religious Studies? : A Journey of Inquiry.
Brother Francesco, known to the world as Saint Francis of Assisi, left us many sweet and lovely poems and songs. In “The Canticle of the Sun,” he wrote about the gifts of nature. Brother Sun, his light and radiance.
Returning home to Maine in April has allowed me to experience winter turning her ancient wisdom filled face towards the maiden of spring. Although the month has been chilly, and until two days ago snow covered tree stripped mountains still held a dusting of snow, all nature is celebrating renewal.
I recently returned to Maine after what can only be called a harrowing journey from the Southwest. Grateful to feel beloved earth under my feet, I walk along the pine strewn woodland paths to keep myself sane. My animals have been ill, my neighbor was hospitalized briefly, other neighbors deliberately destroyed my garden wall crushing a baby balsam, and used this property as their personal ski slope, the threat of the C/virus looms – there are no words to describe this kind of exhaustion. As a PTSD survivor all my senses are on permanent scream. The simplest task has become monumental. And I am only one of so many…
Very early in Henri Bosco’s 1948 novel Malicroix, a young man, Martial de Mégremut, living placidly amid fruitful orchards in a tame Provençal village, receives a letter informing him he has inherited “some marshland, a few livestock, a ramshackle house” from a reclusive great-uncle, Cornélius de Malicroix. Against his family’s strenuous objections–with alarm they speak of “marshes, mosquitoes, miasmas”–Mégremut resolves to travel alone to the remote Camargue to claim his “wild” Malicroix inheritance. The house is on an island, and to reach it Mégremut must cross a rough river, at night, in a frail wooden boat piloted by a taciturn old man who meets him at dusk in the middle of a vast plain.
I awakened this morning to frozen raindrops hanging from trees – jeweled beads, snow capped hills, and a cacophony of spring songs – I was serenaded by robins, chickadees, phoebes, goldfinches, and nuthatch tweets as I walked out the door into the early morning sun. I listened for the cardinals, who for the moment were absent. It was cold! 28 degrees at the end of April speaks to anomalies, or more realistically, Climate Change.
A couple of days ago after an exhausting day of chores I lay out in the sun in my snow pants against the tree I call the “Mother Pine” because she shelters so many creatures from birds to bears. It was late afternoon and the sun was sparkling like a cracked diamond through a myriad of branches over my head. I closed my eyes and listened to an evergreen symphony. The songs produced by pines and other conifers as needles sway and touch soothed me. How much I loved the sound of light winds slipping through the trees.
Canadian Geese have been on my mind a lot lately. This past winter I have missed the skeins of geese that fly back and forth up and down the river appearing every single morning like clockwork. In Abiquiu when winter turned to spring I noted that the geese were behaving in much the same way the Sandhill cranes did before they migrated, splitting into pairs or groups of three and flying erratically. I was puzzled. I didn’t recall witnessing such behavior before this year. I wondered about migration patterns. Were the geese shifting their flight patterns too? Or perhaps the small groups I saw were staying year round? Some days it almost seemed as if these water birds were confused by something.
Full Seed Moon 3/9/20
Feminism and Religion 