A Woman And A Seal – Symbols Of Hope by Judith Shaw

I’ve known of the existence of the Sabian symbols for a long time, but not much about the details or meanings – which is kind of surprising considering how much I love symbolism. Sabian symbols, which first emerged in 1925 from clairvoyant Elsie Wheeler are written symbolic meanings of each degree of the astrological zodiac. Recently I heard astrologer, Heather Ensworth, speaking about the new moon of March 21 at 1° Aries and the Sabian symbol attached to that lunation which is  – “A woman rises out of the water, a seal rises and embraces her.”  

Upon hearing that Sabian symbol recited, my inner eye exploded with an image to match the words and then buried itself deep in my heart. I fought the urge to paint it as I have other projects which need completion. But ultimately the woman and the seal would not leave me, so I began to visualize it resulting in this painting, which might or might not be finished.

But why did it strike me so deeply and what might it mean? 

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To Stand in the Presence of the Ancients! – Enheduanna, Part 2 by Janet Maika’i Rudolph

Yesterday I wrote about the priestess/scribe Enheduanna and her warrior/king father Sargon. I posited their connection to the codification of patriarchy. They did not invent it, as war and the diminution of women had been happening in some circles. I do wonder, however, if they furthered it along to a point of no return.

Another king of the time, Urukagina from circa 2350 bce[1] codified laws under the guise of reformation.  Some of his reforms were progressive in that they sought to protect the poorer classes against aristocracy and the priesthood.  But they also were clear to let women “know their place.” Here are the translated words from his laws:

“If a woman to a male has spoken . . .[bad] words(?) which exceed (her rank?), onto the teeth of that woman a baked brick shall be smashed, and that brick will be hung at the main gate.”

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From the Archives: Where Did the Gods Come From? by Barbara Ardinger

This was originally posted on June 10, 2012

A man in the group leaned forward and asked, “But how did the Goddess get overcome?” So I told him. Young “warrior heroes” came galloping out of the Russian steppes and the Caucasus Mountains, including Afghanistan, which no one (not even Alexander the so-called Great) has ever conquered. The boys were carrying their thunder-solar-sky gods with them.

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The Vows We Make, by Molly Remer

I make a vow of self-sovereignty,
a declaration of wholeness,
a promise to myself that I will keep:
I vow to listen to my heart,
to claim my power and my voice.
I vow to live my own magic,
to step into the center of my own life
and live from there.
I vow to live a life
that includes space for me,
to stand up for what I need,
to listen to my longings,
to honor my inner call,
to do my own work with trust.
I vow to never abandon myself.
I vow to inhabit my own wholeness
in all ways.

In February, I signed up for a Vow of Faithfulness class with WomanSpirit Reclamation. Guided by Patricia Lynn Reilly (of “Imagine a Woman” and A God Who Looks Like Me fame) and Monette Chilson, the class was based on Patricia’s book, I Promise Myself: making a commitment to yourself and your dreams. Structured as a seven week online women’s circle, the class took us on a deep dive into vow-making, culminating in a vow ceremony in which we made a public (to the class that is) declaration of our own vows to ourselves. As the class unfolded, I found myself reviewing past vows as well as sensing new vows bumping up against my consciousness, whispering to be heard.

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Goddess Lost: How the Downfall of Female Deities Degraded Women’s Status in World Cultures by Rachel McCoppin, Ph.D

In this blog post, I would like to take the opportunity to promote my new book, entitled:  Goddess Lost: How the Downfall of Female Deities Degraded Women’s Status in World Cultures. This book makes the assertion that women must be educated about the history of goddess worship around the world in order to adopt a comprehensive spirituality that fits what it means to be a woman.

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Legacy of Carol P. Christ: Maternal Gift Economy: Webinar Gifts

This was originally posted December 7, 2020

In the 1960s and 1970s, American-born Genevieve Vaughan was living in Rome with her husband, philosopher Ferruccio Rossi-Landi, and their three daughters. When Rossi-Landi, using Marxist models, began to write about language as a form of “exchange,” Vaughan was inspired to articulate her alternative theory based on the idea that language was developed and is learned through the gifts of the mother to the child. From that beginning, Vaughn developed an alternative theory of culture based on what she calls the “gift economy.”

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Legacy of Carol P. Christ: Curiosity About Everything and the Language of the Goddess

The was originally posted on April 14, 2014

mochlos altar stone

My recent discovery of Marija Gimbutas on Youtube rekindled my admiration for her work. In her slide-lecture “The World of the Goddess” Marija Gimbutas allows us to follow the line of reasoning she used to decipher the “language of the Goddess” in Old Europe.

Careful attention to her lecture shows that Gimbutas did not close her eyes, dream, and then attach her own ideas and intuitions to the artifacts she later discussed. Rather, she catalogued groups of images with similar symbolism and used her knowledge of nature (what does a water bird or an owl look like?) and folklore (she collected thousands of songs connected to the agricultural and life cycles in her native Lithuania in the 1930s) to unlock the meaning of ancient symbols.

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Legacy of Carol P. Christ: Reading Plato’s Allegory of the Cave as Matricide and Theacide

This was originally posted on October 22, 2012

When I read Plato’s allegory of the cave as an undergraduate, I was told it had something to do with the idea that the “form” of a table is more “real” than the table itself. I must confess that I had no idea what this could possibly mean.

As a graduate student, I struggled with philosophical and theological ideas rooted in Platonism.  Rosemary Radford Ruether named the flawed worldview created by a “classical dualism” that separates mind from body, spirit from the world, rationality from emotion, and male from female.  Her ground-breaking essay “Mother Earth and the Megamachine” clarified the difficulties I was having.

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Seeds of Promise, by Molly Remer

Imbolc brings an invitation into change,
to step into the forge of transformation,
to sink into the holy well of healing,
to open ourselves up to an evolving path
of growth and discovery.
It is now that we remember
we are our own seeds of promise
and while there is time yet
to stay in the waiting place
biding our time
and strengthening our resources
so we have what we need to grow,
soon we will feel the wheel
urging us onward,
the call to set forth
becoming unmistakable and strong.
Let us settle ourselves into center,
nestle into trust and determination,
and extend outward from here
feeling the sweet wind caress us
and the fiery forge beckon us
as we heed the summons to roll on,
the path opening up before us as we move.

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Prehistoric Feminine Icons

In this blog post I’d like to take you with me on a recent visit to the special exhibition “Arts and Prehistory”* in the Museum of Mankind (Musée de l’Homme) in Paris.**

Like the Feminine Power in London exhibition I wrote about last year, this is another ode to human imagination and creativity in connection to the mystery of life.

The exhibition features women figurines and cave paintings from dating between 26.000-34.000 years old, and I wonder how these prehistoric icons can inspire us to look at female bodies today…

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