This continues my reflections on the Devidasis in Part 1.
The overall picture that emerged from the documentary “Sex, Death and the Gods” was that, in its current form, there were many layers to the Devadasi system. For one, the most heartbreaking of all, there were the helpless, underage girls protesting such an existence, pleading that they would rather be in school, instead of being trapped in what was essentially a form of sexual slavery. But then we also see the older Devadasis, women who had been dedicated as children themselves.
Within this latter bracket, there were two groups.Those that viewed the practice as evil, and those that saw it as empowering – they earned their own income and they didn’t have a man or mother-in-law to lord over them; in short, they were in-charge of their own households. To them, married life was akin to a life of servitude, sex was something they enjoyed, and they may have shared a more or less equal relationship with the men who were their customers, men who enjoyed their company and preferred being with a Devadasi rather than with spouses they never chose or couldn’t get along with. In the words of one Devadasi – “I am the boss.” Continue reading “Sex, Death and the Gods (Part II) by Vibha Shetiya”
Never has it been more difficult for me to affirm that “love trumps hate” as during this unprecedented United States election season. After watching the Republican Convention last July in mute horror, I took to bed for several days, overwhelmed by the presentiment that everyone–blacks, women, Jews, Latinos, Muslims, queers– other than a certain breed of white American males was doomed to shameless malignment and persecution. The palpable hatred in Donald Trump’s acceptance speech seared me, arousing my ancestral memory of various persecutions of Jews, Muslims, and others–not something I usually think about or choose to foreground. For several months now, I have been haunted (and almost paralyzed) by fear.
Hence Ani Tuzman’s 
The Celts were fascinated by the number three – triple designs, images and triadic ideas. The Goddesses and Gods who related to the mysterious rather than the mundane nature of life were always worshiped in threes. Unlike the Greek triple goddesses who represent the maiden, mother and crone, the Celtic triadic deities reveal the mysterious, unexplainable aspect of nature and human existence. These triple Goddesses are doorways into the unknown and unknowable.
cycle of birth, death and rebirth. Anu is the source, Danu is the movement and Tailtiu is the endurance inherent in this cycle. 
The morning air is hot around the pillars of Jerusalem stone, but the congregation is already tired. The prayers are old, pro forma and remote, drawing power now from the sound of the Hebrew more than from the meaning of the words. “Thank you for mercifully restoring my soul to me…” intones the small group of gathered men, “and for not making me a woman.”
John Henrik Clarke 
Book Title: Interreligious Friendship after Nostra Aetate
This is the story of Tlachtga. Her name means “Earth Spear.” Her story gives us the name for a famous place in Ireland where to this day, the rites of Samhain are held in her honor. This location is called the “Hill of Ward” and it is near Tara. At this gathering Druids lit the bonfire on Samhain, from which embers were carried far and wide and were used to light the new fires for the new year. The location of the celebration was critical because they believed it to the place where this world and the Otherworld were the closest together.
From all of these stories of Tlachtga, the earliest we can find reveals her as a goddess (druid) who arrived with the Firbolgs, long before the Tuatha De Dannan and Milesians. She was the daughter of the Chief Druid, Mogh Ruith of Munster. His name means devotee of the wheel, which relates to the sun. Mogh Ruith, a blind man, taught his daughter Tlachtga all his skills. Together they worked with all the best masters of magical knowledge in Ireland and Scotland. from this we know she was a highly trained Druid in her own right.
Tlachtga’s story is tragic. It is possible that she was once a Sun Goddess, highly revered for her fertility and the land. Tragically her story changed so thta now it is her tragic death that is remembered. For this reason, she is a goddess of birth and death, “The Hill of Ward” has been regarded by Druids for eons as the “Temple of Tlachtga.” It is here where the old fires of the Celtic Year are ritually smothered out and a new pure flame is lit for the year ahead.
Warning friends, the first four paragraphs of this post includes quotes/references of some of Donald Trump’s misogynist rhetoric. 
